c. 1590-1600
The recto of this album folio depicts a woman playing an Indian zither in a landscape. The top band and right side of the drawing are made on a different piece of paper. The verso of this folio holds a calligraphic composition consisting of two couplets of Persian poetry written in nasta’liq script in diagonal format. The drawing is an example of the self-consciously global aesthetic at the Mughal court. The woman is dressed in European clothing but adorned with Indian jewelry. Basawan, a leading artist in this blended mode to whom the work is attributed, most likely modeled the woman on a European engraving of a classical or biblical figure, but here, she is playing an Indian zither rather than a European instrument. Furthermore, she is seated on a Roman curule chair decorated with angels, and female figures, and an inscription written in illegible Latin script.
27 x 18.1 cm (10 5/8 x 7 1/8 in.)
Louis J. Cartier, Collector. Stuart Cary Welch, Jr., Warner, New Hampshire (by 1962-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums 2011.
Black ink, opaque watercolor and gold on beige paper
17th centuryMughalInk, opaque watercolor and gold on paper
17th-18th centuryMughalInk, opaque watercolor and gold on paper
16th-17th centuryMughalInk, opaque watercolor and gold on paper
17th centuryMughalOpaque watercolor, gold, metallic silver paint over red ink and charcoal underdrawing on off-white laid paper.
17th centuryMughalGray-black ink , watercolor and gold over traces of charcoal on off-white paper
16th-17th centuryMughalInk and opaque watercolor on paper
17th centuryMughalOpaque watercolor and gold on paper
17th centuryMughalBlack ink, opaque watercolor and gold on beige paper
17th centuryMughalverso: ink and color on paper; recto: ink, color and gold
17th centuryMughalGray-black ink on beige paper
17th centuryMughalOpaque watercolor and gold on paper
17th centuryMughal