c. 1590-1600
The recto of this album folio depicts a woman playing an Indian zither in a landscape. The top band and right side of the drawing are made on a different piece of paper. The verso of this folio holds a calligraphic composition consisting of two couplets of Persian poetry written in nasta’liq script in diagonal format. The drawing is an example of the self-consciously global aesthetic at the Mughal court. The woman is dressed in European clothing but adorned with Indian jewelry. Basawan, a leading artist in this blended mode to whom the work is attributed, most likely modeled the woman on a European engraving of a classical or biblical figure, but here, she is playing an Indian zither rather than a European instrument. Furthermore, she is seated on a Roman curule chair decorated with angels, and female figures, and an inscription written in illegible Latin script.
27 x 18.1 cm (10 5/8 x 7 1/8 in.)
Louis J. Cartier, Collector. Stuart Cary Welch, Jr., Warner, New Hampshire (by 1962-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums 2011.
Ink, opaque watercolor and gold on paper
17th centuryMughalInk, opaque watercolor and gold on paper
16th-17th centuryMughalOpaque watercolor and gold on paper
17th centuryMughalBlack ink, opaque watercolor and gold on beige paper
17th centuryMughalInk, opaque watercolor and gold on paper
17th centuryMughalOpaque watercolor and gold on paper
17th centuryMughalOpaque watercolor and gold on paper
17th centuryMughalBlack ink, opaque watercolor and gold on beige paper
17th centuryMughalGray-black ink , watercolor and gold over traces of charcoal on off-white paper
16th-17th centuryMughalOpaque watercolor, gold, metallic silver paint over red ink and charcoal underdrawing on off-white laid paper.
17th centuryMughalInk and opaque watercolor on paper
17th centuryMughalGray-black ink on beige paper
17th centuryMughal