c. 1600
Four ascetics of various ages are gathered around a tree in this drawing. Two accomplished yogis occupy the center of the composition, a bearded man with lengthy toenails and fingernails in deep concentration, and a younger man with elegant drapery who delicately fingers his prayer beads. They are attended by younger disciples with shaved heads that may indicate recent vows of renunciation. The acolytes' swollen, breath-filled bellies suggest the practice of yoga.
21.7 x 20.2 cm (8 9/16 x 7 15/16 in.)
Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1983.
Opaque watercolor on paper
19th centuryIndianInk, gold, and opaque watercolor on paper
16th centuryPersianOpaque watercolor and gold on paper
17th centuryMughalBlack ink, opaque watercolor and gold on beige paper
16th centuryMughalLeft: brown ink over graphite on off-white modern laid paper; pricked and verso pounced or rubbed with red chalk; Right: brown ink over graphite on off-white modern laid paper; pricked and verso pounced or rubbed with red chalk (recto)
19th centuryPersianOpaque watercolor on paper
19th centuryIndianOpaque watercolor and gold on paper; Pahari Style, Kangra School
19th centuryIndianInk, opaque watercolor and gold on paper
18th centuryPersianInk, gold, and opaque watercolor on paper
16th centuryPersianLeather
19th centuryIndianOpaque watercolor, gold and silver on paper
17th centuryIndianOpaque watercolor and gold on paper; Pahari Style, Kangra School
18th-19th centuryIndian