c. 1750
The painting depicts a royal figure seated on a swing in a garden terrace, alongside three ladies on the right, and two attendant figures on the left holding fly-whisks. In Sanskrit, ‘hindola’ means swing, and music played in the Hindola Raga elicits the fever of young love in springtime. The royal figure holds a veena, most likely a ‘Rudra veena,’ which is a stringed instrument consisting of two large equal size resonators (tumba) below a stick zither. This instrument is played by laying it slanting with one gourd on a knee and the other above the shoulder. The mood of the moment is expressed by the pregnant skies, flashes of lightning striking through just before the downpour of heavy rain. A peacock stands atop the swing, heralding the rains. The royal figure resembles the many portraits of Raja Umed Singh of Bundi (r. 1749-ca . 1773 CE), where the folio was possibly made. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation, belonging to a Ragamala or “Garland of Melodies.” Rajput-Rajasthani Style, Bundi School.
26.4 × 17.6 cm (10 3/8 × 6 15/16 in.)
Opaque watercolor, gold, and silver on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianInk, opaque watercolor and gold on paper; Rajput Style, Malpura School
18th centuryIndianOpaque watercolor, gold, and tin on paper
18th centuryIndianOpaque watercolor on paper
18th-19th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and some gold on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and some gold on paper
18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor on paper
18th-19th centuryIndian