18th - 19th century
This painting depicts a wedding ritual primarily undertaken by women. In the center, the four brides of the four sons of Dasharatha are seated under a festive tent, and royal women surround them. In the pavilion on the right, a royal lady is seated, most likely Rama’s mother, Kaushalya. The scene might depict a moment from the celebrations to mark the wedding of the princes, Rama, Lakshmana, Bharata and Shatrughna. This folio possibly belongs to a Ramayana manuscript produced in Sirohi. This manuscript is notable for its vibrant blue background, achieved through the use of the pigment Prussian blue. Other folios from the same manuscript in the Harvard Art Museums’ collections are 1973.164, 1973.165, 1973.166.A, 1973.166.B, 1973.167, 1973.168.A, 1973.168.B, 1973.170.A, 1973.170.B, 1973.171. Rajput, Rajasthani, Sirohi School.
25.5 x 30.1 cm (10 1/16 x 11 7/8 in.)
Ink, opaque watercolor and gold on paper
14th centuryPersianTwo-sided horizontal accordion-fold album; ink, color, and gold on paper; with lacquered wood covers
19th centuryThaiCalligraphy; ink, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
19th centuryOttomanDouble-sided, detached leaf from an incomplete manuscript; ink, color, and gold on black paper
18th centuryNepaleseInk, colors, and gold on paper
16th centuryPersianAccordion-fold book; gold and silver pigments on indigo-blue paper
15th centuryKoreanInk, opaque watercolor and gold on paper; Rajput Style, Malpura School
18th centuryIndianInk, opaque watercolor and gold on paper
13th centuryEgyptianInk and gold on paper
16th centuryOttomanManuscript; ink on paper
17th-19th centuryJapanese