18th - 19th century
This painting depicts a wedding ritual primarily undertaken by women. In the center, the four brides of the four sons of Dasharatha are seated under a festive tent, and royal women surround them. In the pavilion on the right, a royal lady is seated, most likely Rama’s mother, Kaushalya. The scene might depict a moment from the celebrations to mark the wedding of the princes, Rama, Lakshmana, Bharata and Shatrughna. This folio possibly belongs to a Ramayana manuscript produced in Sirohi. This manuscript is notable for its vibrant blue background, achieved through the use of the pigment Prussian blue. Other folios from the same manuscript in the Harvard Art Museums’ collections are 1973.164, 1973.165, 1973.166.A, 1973.166.B, 1973.167, 1973.168.A, 1973.168.B, 1973.170.A, 1973.170.B, 1973.171. Rajput, Rajasthani, Sirohi School.
25.5 x 30.1 cm (10 1/16 x 11 7/8 in.)
Handscroll; ink on pale yellow-dyed paper, with seal impressions in darkened red ink; seal of Tōdai-ji
8th centuryJapaneseInk, opaque watercolor, and gold on paper
16th centuryIndianBlack ink, opaque watercolor, and gold on off-white paper, with underdrawing in red ink
16th-17th centuryPersianHandscroll fragment; ink on paper
13th centuryJapaneseInk, opaque watercolor and gold on paper
16th and 19th centuryPersianInk on paper
19th centuryIslamicOpaque watercolor on paper
16th centuryIndianDouble-sided, detached leaf from an incomplete manuscript: ink, color, and gold on blue paper
18th centuryNepaleseInk, opaque watercolor and gold on paper
13th centuryEgyptianInk, opaque watercolor and silver on paper
19th centuryPersianInk, opaque watercolor and gold on paper
16th and 19th centuryPersianOpaque watercolor and gold on paper; Pahari Style
18th centuryIndian