18th - 19th century
This painting depicts a wedding ritual primarily undertaken by women. In the center, the four brides of the four sons of Dasharatha are seated under a festive tent, and royal women surround them. In the pavilion on the right, a royal lady is seated, most likely Rama’s mother, Kaushalya. The scene might depict a moment from the celebrations to mark the wedding of the princes, Rama, Lakshmana, Bharata and Shatrughna. This folio possibly belongs to a Ramayana manuscript produced in Sirohi. This manuscript is notable for its vibrant blue background, achieved through the use of the pigment Prussian blue. Other folios from the same manuscript in the Harvard Art Museums’ collections are 1973.164, 1973.165, 1973.166.A, 1973.166.B, 1973.167, 1973.168.A, 1973.168.B, 1973.170.A, 1973.170.B, 1973.171. Rajput, Rajasthani, Sirohi School.
25.5 x 30.1 cm (10 1/16 x 11 7/8 in.)
The twenty-fifth of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseInk, colors, and gold on paper
17th centuryPersianInk, colors, and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper
16th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper, with leather binding
18th centuryOttomanInk, colors, and gold on paper
15th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianThe tenth of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseInk and opaque watercolor on paper
18th-19th centuryPersianDouble-sided, detached leaf from an incomplete manuscript: ink, color, and gold on blue paper
18th centuryNepalese