18th - 19th century
This painting depicts the palace of King Dasharatha in the city of Ayodhya, where courtiers await the completion of the ritual organized for the king. At the entrance of the palace are two large elephants with their drivers (mahouts), and three horses. Two attendants flank the entrance on each side. Two other men approach the entrance from the other side, under an orange awning. At the top of the structure are two male musicians, one playing drums and the other a wind instrument, as well as two women. In the top right corner are two cow herders with their cows. The reverse of this folio depicts the king and the sages performing the ritual. This double-sided folio possibly belongs to a Ramayana manuscript produced in Sirohi. This manuscript is notable for its vibrant blue background, achieved through the use of the pigment Prussian blue. Other folios from the same manuscript in the Harvard Art Museums’ collections are 1973.164, 1973.165, 1973.166.B, 1973.167, 1973.168.A, 1973.168.B, 1973.169, 1973.170.A, 1973.170.B, 1973.171. Rajput, Rajasthani, Sirohi School.
21.59 x 26.04 cm (8 1/2 x 10 1/4 in.)
Ink, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
19th centuryOpaque watercolor and gold on paper
17th centuryIndianOpaque watercolor and gold on paper
17th centuryIndianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper; gilt-stamped leather binding
17th centuryPersianInk and opaque watercolor on paper
13th centuryPersianThe forty-eighth of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseInk, opaque watercolor and gold on paper
17th centuryPersianInk on parchment
10th centuryArab