c. 1600
This unfinished painting depicts Hamza, in the center, untying himself from a palace’s column. The large rectangles near the top and the bottom of the page were reserved for text. The illustration was part of a Hamzanama (story of Hamza), which recounts of the legendary, in most cases, fanciful exploits of Amir Hamza, the uncle of the Prophet Muhammad.
Opaque watercolor and gold on paper
17th centuryIndianOpaque watercolor and gold on paper
19th centuryIndianDouble-sided, detached leaf from a manuscript with illustration; ink and color on palm leaf
12th centuryNepaleseInk, colors, and gold on paper
16th centuryDouble-sided, detached leaf from an incomplete manuscript: ink, color, and gold on blue paper
18th centuryNepaleseInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, gold, and colors on paper (text)
17th-19th centuryInk, opaque watercolor and gold on vellum
9th-10th centuryArabCalligraphy; ink, opaque watercolor and gold on paper, with leather binding
18th centuryOttomanOpaque watercolor on paper
19th centuryIndian