17th-18th century
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
36 x 23 cm (14 3/16 x 9 1/16 in.)
George McFadden, New York, (by 1987-1988), sold; to José M.Soriano, New York, (1988-2014), gift; to the Harvard Art Museums, 2014.
Ink, opaque watercolor and gold on paper
17th and 19th centuriesPersianHandscroll; ink on pale yellow-dyed paper, with seal impressions in darkened red ink; seal of Tōdai-ji
8th centuryJapaneseInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianBlack ink, opaque watercolor, and gold on beige paper
16th centuryPersianInk, colors, and gold on paper
17th-18th centuryIndianTwo-sided horizontal accordion-fold album; ink and color on paper; with lacquered wood covers
19th centuryThaiInk, opaque watercolor and gold on paper
13th centuryEgyptianInk, colors, and gold on paper
15th centuryPersianInk, opaque watercolor and gold on paper; Pahari Style, Kangra School
19th centuryIndianInk, opaque watercolor and gold on paper
17th centuryOttoman