PrintsJapanese19th century

Yang Guifei (Yōkihi) Viewing Cherry Blossoms from Verandah, from the series Cherry Trees for the Katsushika Circle, with poems by Shunrūtei Chikauo (Kaneuo) and Hakumōsha Kazumori (Banshu, Manshu)

Edo period, circa 1823

Artists

Yashima Gakutei 八島岳亭Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 21.4 cm x W. 18.7 cm (8 7/16 x 7 3/8 in.)

Related Artworks

Prints

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Courtesan Tokaeri of Matsubaya with Attendants and New Year's Decorations (Kadokazari no Matsubaya uchi Tokaeri), fourth from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no yon), with poems by Fukusaitei Shimemaru

Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Poet Ono no Komachi and Her Memorial Stone

Utagawa Hiroshige 歌川広重, Late Edo period,

Ukiyo-e woodblock printed "shikishi" surimono; ink an color on paper

19th centuryJapanese

Prints

View of Gyōtoku Saltflats (Gyotoku Shiohama)

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock print from key block ("nagasurimono" format); ink on paper

19th centuryJapanese

Prints

English Couple (Igirisujin), from the series A Collection of Various Countries (Bankoku zukushi), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, twelfth month of 1860

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Snow View at Sensō-ji Temple at Kinryūzan in the Eastern Capital (Tōto Kinryūzan Sensō-ji yuki kei)

Keisai Eisen 渓斎英泉, 19th century

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

The Temple of the Golden Pavilion (Kinkaku-ji), from the series Famous Views of Kyoto (Kyōto meisho no uchi)

Utagawa Hiroshige 歌川広重, c. 1834

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Triptych: Uraura tairyo no zu

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Comparison of the Destinies of the Enlightened and the Antiquated (Kaika kyūhei kōhai kurabe)

Utagawa Yoshifuji, 1882 (Meiji 15)

Ukiyo-e woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Triptych: Kabuki Announcement (Kyōbashi Minami denma-chō Itchō-me)

Utagawa Kunisada 歌川国貞, Late Edo period, circa mid 1830s

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

No. 11, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

Utagawa Kunisada 歌川国貞, c. 1847-1852 (Kōka 4- An'ei 5)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Prosperity (Roku): Ding Gu (Chōko) Dreaming of the Pine Tree, from the series Fukurokuju

Yashima Gakutei 八島岳亭, Edo period, circa 1823-1827

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese