PrintsJapanese19th century

Viewing Sunset over Ryōgoku Bridge from the Ommaya Embankment (Ommayagashi yori Ryōgoku-bashi no sekiyō o miru), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

c. 1831

Artists

Katsushika Hokusai 葛飾北斎Artist

Nishimuraya Yohachi 西村屋与八Publisher

Classification

Prints

Medium

Woodblock print (nishiki-e); ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

horizontal ōban: H. 26 x W. 38.6 cm (10 1/4 x 15 3/16 in.)

Related Artworks

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Station 17 -- Satta Pass, Yui (Yui, Satta-mine), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan-tsugi no uchi)

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1855

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Prints

Courtesan Somenosuke of the Matsubaya (Matsubaya uchi Somenosuke), from the series "Beauties of the Yoshiwara" (Seirō bijin awase)

Eishōsai Chōki, Mid to Late Edo period, circa 1780-1805

Ukiyo-e woodblock print in "ōban" format; ink, colors and black lacquer on paper, with printed signature reading "Chōki ga"

18th-19th centuryJapanese

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Triptych: Captain Matsuzaki Crossing Anjō Reveals His Great Bravery (Anjō o watari Daigekisen Matsuzaki Taii yūmō)

Mizuno Toshikata, Meiji period, dated 1894

Woodblock printed "ōban"-sized triptych; ink and color on paper

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Prints

Kuga Dajōdaijin (Kokonchomonjū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Ki no Rakuzumi

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

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Prints

Left: Actor Iwai Kumesaburō 2nd (Hidari, kasane ōgi), Right: Onoe Kikugorō 3rd (Migi, mitsu ōgi) in a Soga Brothers play, from the series Three Fan Comparisons (ōgi awase sanban no uchi)

Utagawa Kunisada 歌川国貞, Edo period, circa 1822 (Bunsei 5)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

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Prints

Sergeant Kawasaki Crosses the River Daidōkō Alone (Kawasaki gunsō tanshin Daidōkō o wataru)

Mizuno Toshikata, Meiji period, dated 1894

Left panel from a(n incomplete) woodblock-printed "ōban" triptych; ink and color on paper

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Prints

Plum Blossoms and Lacquered Letter Box with text beginning "Shiranu yō mo nakari tsuran kō nado shō soko shaken[?] mono o...", from the series The Changelings (Torikaeba monogatari), with poems by Tangoan Tsumifusa and associates

Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

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Prints

Warrior Yamamoto Kansuke (Yamamoto Haruyuki, 1501-1561) in Battle, from the series Eiyū ōyamato tōfushi

Utagawa Kuniyoshi 歌川国芳, Late Edo period

Ukiyo-e woodblock print in ōban format; ink and color on paper, with printed signature reading "Kuniyoshi ga"

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Prints

Mounted Chinese (Nankinjin no zu)

Ikkōsai Yoshimori 一光斎芳盛, Late Edo period, second month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Bow-shaped Crescent Moon (Yumiharizuki), from the series Twenty-eight Views of the Moon (Tsuki nijū hakkei no uchi)

Utagawa Hiroshige 歌川広重, c. 1832

Woodblock print (nishiki-e); ink and color on paper

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Prints

American, Famous Places of Edo, Shinobazu (Tōto meisho Shinobazu, Amerika)

Ikkōsai Yoshimori 一光斎芳盛, Meiji period, late 19th century

Woodblock print; ink and color on paper

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Prints

Turtles and Sake Cup

Yashima Gakutei 八島岳亭, Edo period, circa 1827-1829

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

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