18th century
H. 16.6 x W. 40.2 x D. 20.2 cm (6 9/16 x 15 13/16 x 7 15/16 in.)
Philip Hofer (1898-1984), Cambridge, MA (by 1984), gift; to Harvard University Art Museums, 1984.
Qingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseOpaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard
19th centurySilver with parcel gilding
3rd century BCE-3rd century CEChineseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
12th centuryKoreanLacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings
18th-19th centuryJapaneseSilver
19th centuryPersianEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseMetal structure with plastic laminate
20th centuryBritishIncised celadon ware: light gray stoneware with celadon glaze over incised decoration
11th centuryKoreanLacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques; gilt-copper fittings
17th centuryJapaneseNegoro ware; red and black lacquer on wood
18th-19th centuryJapaneseMaki-e designs in gold and silver on nashi-ji lacquer ground
Japanese