late 3rd century
Broad-shouldered jar supporting a multi-tiered, tiled-roof architectural complex surrounded by birds, monkeys, dragons, and numerous male figures engaged in various activities; the sides of the jar further embellished with molded appliques of kneeling male figures bearing a staff; light gray stoneware with olive-green celadon glaze over molded and applique decoration; flat, circular base unglazed. From the Yue kilns in the Shaoxing area, northeastern Zhejiang province. Hunping, or “urns of the soul,” were fashioned to house the spirit of individuals and placed in tombs. Such vessels were produced for a relatively short period, from the third to fourth century, in the lower Yangzi River region.
H. 49 x Diam. 28 cm (19 5/16 x 11 in.)
[Kaikodo, New York, September 1998] sold; to Walter C. Sedgwick Foundation, Woodside, CA (1998-2006), partial gift; to Harvard University Art Museums, 2006.
Onda ware, 'zogan' technique: light gray stoneware with pale olive glaze over brush-applied white slip on the interior and over white slip brushed over chatter marks on the exterior; with three- (or four-?) character stamp of the Onda kilns impressed on the base
21st centuryJapaneseEnameled blue-and-white ware, "doucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with spurious underglaze cobalt blue mark reading "Da Ming Chenghua nian zhi" within a circle on the base
18th centuryChineseTerracotta with shell temper, hand made
13th centuryPre-ColumbianFritware with overglaze enamel painting (Mina'i)
13th centuryPersianPorcelain with decoration painted in overglaze red, green, yellow, aubergine, and black enamels; with spurious overglaze enamel mark reading "Chenghua nian zhi" within a double square on the base
19th centuryChineseCarved rhinoceros horn; with inscription reading "Shi renshen mengqun fang Hanyu shi" and signature reading "Jiyu"
18th centuryChinesePlaster reproduction of stone original
19th-20th centuryMinoanTemmoku-type ware: light gray stoneware with slate gray glaze mottled with blue overglaze; with impressed seal mark reading "Moriyasu" on the exterior wall above the footring
20th centuryJapaneseBlue-green glass
4th-5th century CERomanBlack basalt
18th centuryBritishCizhou-type cut-glaze ware: ivory white stoneware with olive brown glaze, the decoration cut into the glaze before firing
14th centuryChineseTerracotta
2nd millennium BCECypriot