1640
Pale diagonal markings in the center of the composition are probably transfers from the texture of twill blankets used in printing. The biting of the plate was very shallow, and perhaps Rembrandt used less pressure than usual in printing.
plate: 12.9 x 10.4 cm (5 1/16 x 4 1/8 in.)
Graphische Sammlung Albertina, Vienna (L. 5d), auction sale, 1922. see 5d text for 'Veraussert' stamp use Carl and Rose Hirschler, Haarlem, The Netherlands (L. 633a)
Etching and drypoint with plate tone on warm brown Japanese paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint with plate tone on white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint on heavy white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint with mezzotint rework on white antique laid paper
17th centuryDutchEtching and drypoint on cream antique laid paper with rounded upper corners
17th centuryDutchEtching and dryoint with gray wash added throughout on off-white wove paper
17th centuryDutchEtching and drypoint on thin white antique laid paper
17th centuryDutch