1640
Pale diagonal markings in the center of the composition are probably transfers from the texture of twill blankets used in printing. The biting of the plate was very shallow, and perhaps Rembrandt used less pressure than usual in printing.
plate: 12.9 x 10.4 cm (5 1/16 x 4 1/8 in.)
Graphische Sammlung Albertina, Vienna (L. 5d), auction sale, 1922. see 5d text for 'Veraussert' stamp use Carl and Rose Hirschler, Haarlem, The Netherlands (L. 633a)
Etching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint with added mezzotint on white 18th-c. antique laid paper
17th centuryDutchEtching and drypoint with plate tone on warm brown Japanese paper
17th centuryDutchEtching and drypoint, perhaps with touches of gray wash, on white antique laid paper
17th centuryDutchEtching and drypoint printed by William Baillie on white imitation Asian paper
17th centuryDutchEtching and drypoint on off-white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint, reworked by William Baillie, printed by Leonard Sessler in the 1950s, on offwhite wove paper
17th centuryDutchEtching and drypoint with plate tone on white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutch