Christ Crucified between the Two Thieves: Oval Plate

Etching and drypoint on cream antique laid paper with rounded upper corners

Etching and drypoint on off-white imitation Japanese paper

Etching and drypoint, reworked by William Baillie, printed by Leonard Sessler in the 1950s, on offwhite wove paper

Etching and drypoint on white antique laid paper

Etching and drypoint with light plate tone on white antique laid paper discolored to tan

Etching and drypoint on white antique laid paper

Etching with plate tone (modern impression) on off-white modern laid paper, a blank page removed from a book

Etching and drypoint on pale tan Japanese paper

Etching and drypoint on white antique laid paper