Death of the Virgin

Etching and drypoint on white antique laid paper

Etching and drypoint on white antique laid paper

Etching and drypoint on white antique laid paper

Etching on white antique laid paper, with arched upper corners

Etching and drypoint on white antique laid paper

Etching and drypoint with plate tone on pale tan Japanese paper

Etching and drypoint, reworked by William Baillie, printed by Leonard Sessler in the 1950s, on offwhite wove paper

Etching and drypoint on white antique laid paper

Etching and drypoint with added touches of black ink and gray wash on off-white antique laid paper

Etching and drypoint with plate tone on tan Japanese paper

Etching and drypoint with light plate tone, with touches of gray wash in some drypoint areas, on off-white antique laid paper