mid 14th century
Vase with tall, round, slightly flared neck; the pear-shaped body stands on a tall footring. The neck is engraved with three bands: at the top, a band of kufic script set against a foliated scroll; a second band consisting of a twined rope motif; and on the ring of the neck, a third band of lozenges alternating with roundels. The body bears a broad band of fine thuluth calligraphy punctuated by three large decorative roundels filled with an arabesque motif. Above and below the calligraphy band are arabesque motifs. On the foot ring is an engraved band consisting of an angular, braided rope motif. Remnants of silver inlay can be found on the neck ring and body of the vase. The inscription on this vase reveals that it was made for an amir kabir, or Great Emir, of Sultan Hasan (ruled 1347-51 and 1354-61). Up until 1352 the title of amir kabir was given to all senior Mamluk amirs, or freed slaves who were part of the ruling military elite. After that time, the term was reserved for the commander in chief of the army. Since the reigns of Sultan Hasan span this transition, this piece may have been made for the commander in chief but also could have been made for any senior amir. Notes from the Glory and Prosperity exhibition, Feb - June 2002.
H: 17.5 x small. diam: 5.6 x greatest diam: 12 cm (6 7/8 x 2 3/16 x 4 3/4 in.)
Momtaz Islamic Art, London, England, 5.
Enamel on metal
19th centuryFrenchLacquer
ChineseTerracotta
5th century BCEGreekSilver
18th centuryBritishPorcelain with decoration reserved in white against an overglaze red enamel ground, the pictorial elements articulated with black enamel, and the foliage covered with green enamel; with underglaze cobalt-blue mark reading "Da Ming Jiajing nian zhi" on the base
16th centuryChineseYaozhou "moon white" (yuebai) ware: very light gray stoneware with pale celadon glaze over thin coating of white slip. From the Yaozhou kilns at Tongchuan, Shaanxi province.
12th centuryChineseEnameled porcelain: porcelain with decoration painted in overglaze green and black enamels; with overglaze red enamel mark reading Tongzhi nian zhi within a double square on the base
19th centuryChineseWhite stoneware with clear glaze over applique molded decoration
10th-11th centuryChineseCarved rhinoceros horn
16th centuryChineseGray stoneware with cold-painted decoration over white gesso ground
7th-8th centuryChineseSilver
19th centuryAmerican