20th century
The off-white slip that covers this dish has been incised with a complicated design further elaborated in green, yellow, and purplish brown. An equestrian image fills the center of the dish: a crowned horseman wears a garment decorated with vertical stripes and an overlying arabesque, and his yellow horse is embellished with scribbled lines. A vigorous arabesque fills the background behind horse and rider. Running along the rim is an angular guilloche enclosing crosshatched segments of alternating yellow and green. Except for the base, the dish is entirely covered with a white slip and a clear glaze. It has been reassembled from eight fragments, with no significant losses. The horseman steals a glance backward—as did the potter who made this dish. Although dated to the twentieth century by thermoluminescence testing, the dish imitates a type of sgraffito vessels traditionally known as Aghkand wares, which are said to have been found at Aghkand, in northwestern Iran, and usually assigned to the twelfth century.
4.4 x 28 cm (1 3/4 x 11 in.)
[Mansour Gallery, London, 1975], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1975-2002), gift; to Harvard Art Museums, 2002.
Silver
18th centuryBritishCeramic
18th centuryJapanesePolychrome plaster
20th centuryMinoanTerracotta
Glass
3rd-4th century CERomanSilver-gilt
17th centuryBritishPunch'ŏng ware: light gray stoneware with pale celadon glaze over inscription incised through white-slip ground
15th-16th centuryKoreanTerracotta
GreekHard-paste porcelain with polychrome enamels and gold
18th centuryGermanCast bronze; with integrally cast inscriptions on vessel floor and interior of cover
11th-10th century BCEChineseTerracotta, black ware
3rd millennium BCEAnatolian