12th-13th century
Two horsemen face each other from opposite sides of a central, checkered tree. The luster decoration on this bowl is so freely painted that the dotted pattern of the cavaliers’ garments merges with the foliate background. The figural scene is bordered above and below by scalloped segments filled with vertical stripes and, at the bottom, by a frieze of cursory pendants. An angular pseudo-inscription runs around the rim. The figural imagery of this bowl has close affinities with that of minai wares. Its sketchily applied decoration and somewhat confused background details put it into the category of luster ceramics exhibiting the so-called miniature style. The loosely painted scrolls on the outside of this bowl closely resemble the exterior ornamentation of several other luster vessels in the collection. Glaze only partially covers the high foot, one area of which exhibits some blue staining. The bowl has been reassembled from several pieces; its reddish luster has turned greenish in one section.
6.4 x 21.2 cm (2 1/2 x 8 3/8 in.)
[Mansour Gallery, London, 1971], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1971-2002), gift; to Harvard Art Museums, 2002.
Silver
18th centuryAmericanEarthenware with incised decoration
3rd century BCE-3rd century CEChineseTerracotta
6th-5th century BCEGreekCast bronze with gray-green patina
5th-3rd century BCEChineseEnameled porcelain: porcelain with coral-red overglaze enamel
18th-19th centuryChineseNumbered Jun ware: light gray stoneware with variegated purple and blue glaze; with Chinese numeral 1 (yi) inscribed on base before firing; "Yangxin dian Changchun shuwu yong" (Hall of Mental Cultivation, used in the Studio of Everlasting Spring) inscription incised on base at a later date
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12th-14th centuryChinese