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Short-lived ABC sitcom starring Brian Dennehy as fire chief Leslie "Buddy" Krebs and Kathy Maisnik as his singer daughter, Jennie Lee Krebs.
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Short-lived ABC sitcom starring Brian Dennehy as fire chief Leslie "Buddy" Krebs and Kathy Maisnik as his singer daughter, Jennie Lee Krebs.
Strange occurrences, odd historical facts and unusual artistic and social activities are explored. Ripley's Believe It or Not! is the name of several documentary television series based on the newspaper feature. The first series aired on NBC from 1949 to 1950, and was hosted by Robert L. Ripley until his death. The series was revived again on ABC, running from 1982 to 1986, and was hosted primarily by Jack Palance.
Matt Houston is an American crime drama series that aired on ABC from 1982 to 1985. Created by Lawrence Gordon, the series was produced by Aaron Spelling.
Mork & Mindy/Laverne & Shirley/Fonz Hour is a 1982 cartoon series produced by Hanna-Barbera and Ruby-Spears Productions in association with Paramount Network Television, featuring animated versions of characters from Mork & Mindy, Laverne & Shirley, and Happy Days, all part of the same franchise. This Saturday morning series lasted for one season on ABC. This show was divided into two segments, entitled Mork & Mindy and Laverne & Shirley with the Fonz.
The Scooby & Scrappy-Doo/Puppy Hour is a 60-minute package show, a Hanna-Barbera/Ruby-Spears co-production in 1982 for ABC Saturday mornings. It contained the following segments: ⁕Scooby-Doo and Scrappy-Doo: Scooby-Doo, Scrappy-Doo and Shaggy Rogers travel across the country as the "Fearless Detective Agency" and get involved in typical spy or criminal cases. ⁕Scrappy and Yabba-Doo: Scrappy-Doo's adventures with his uncle Yabba-Doo and Deputy Dusty in the wild west. ⁕The Puppy's New Adventures: Featuring the adventures of Petey the Puppy and his friends Dash, Dolly, Duke, and Lucky. The first half-hour consisted of three 7-minute shorts of Scooby and Scrappy-Doo and Scrappy and Yabba-Doo, with a 30-minute episode of The Puppy's New Adventures in the second half-hour. The Scooby/Scrappy-related shorts were written and voiced at Hanna-Barbera Productions, but animated and edited by Ruby-Spears Enterprises.
Pac-Man is an animated television series produced by Hanna-Barbera based on the video game Pac-Man by Namco, which premiered on ABC and ran from 1982 to 1983. It was also the first Hanna-Barbera animated series based on a video game.
The Pac-Man/Little Rascals/Richie Rich Show was a package show produced by Hanna-Barbera Productions in 1982 for ABC Saturday mornings. In 1983, Pac-Man was given its own half-hour, and the program was retitled The Little Rascals/Richie Rich Show. The show contained the following segments: Pac-Man, Richie Rich, and The Little Rascals.
In a backwater corner of the South Pacific in 1938, a young American adventurer and his ragtag group of friends become involved in death-defying hi-jinx, transporting people-on-the-run in a well-worn Grumman Goose seaplane.
Hotel is an American prime time drama series which aired on ABC from September 21, 1983 to May 5, 1988 in the timeslot following Dynasty. Based on Arthur Hailey's 1965 novel of the same name, the series was produced by Aaron Spelling and set in the elegant and fictitious St. Gregory Hotel in San Francisco. Establishing shots of the hotel were filmed in front of The Fairmont San Francisco atop the Nob Hill neighborhood. Episodes followed the activities of passing guests, as well as the personal and professional lives of the hotel staff.
No Soap, Radio is an American sitcom that aired on ABC on Thursdays from April 15 till May 13, 1982. The title was taken from an "unfunny" joke that was popular at the time.
The sitcom takes us into the further adventures of the characters from the movie of the same name.
Joanie Loves Chachi is an American television spin-off of the American sitcom Happy Days that was originally broadcast on ABC from March 23, 1982 to May 24, 1983. It stars Erin Moran and Scott Baio as the titular Joanie Cunningham and Chachi Arcola, respectively.
The Phoenix is a 1982 television series starring Judson Scott which was on ABC for about one month. The plot revolved around an ancient extraterrestrial named Bennu of the Golden Light, who is discovered in a sarcophagus in Peru and awakened in the 20th Century. The series was first seen on a TV-movie on April 26, 1981.
Sergeant Thomas Jefferson Hooker is a tough-as-nails veteran police officer with the LCPD who turns his back on a gold badge and goes back to patrolling the streets and training recruits. Along with his young partners in blue, Hooker take on Lake City's toughest criminals.
In this cult parody of cop dramas, replete with farce and sight gags, Lieutenant Frank Drebin and his fellow officers from Police Squad bungle their way though crime investigations.
King's Crossing is an American nighttime soap opera which aired on ABC from January 16, 1982 to February 27, 1982 on Saturday Night at 8:00pm for seven episodes. Its roots can be found in the 1980 drama Secrets of Midland Heights, which aired on CBS for eight episodes. When that show was canceled, Lorimar Productions announced it would return in a retooled format; King's Crossing was a completely different show, but employed several actors who had also appeared in the earlier drama. The show centered around the Hollister family relocating to King's Crossing, California. The father, Paul, was a recovering alcoholic who was hoping for a fresh start with his family and career as an English professor at the town's college. His long-suffering wife Nan was also trying to reestablish a connection with her cold and distant Aunt Louisa Beauchamp, who had never approved of Paul. Nan and Paul had two teenage daughters: Lauren, an aspiring pianist who fell into an affair with her piano teacher, symphony conductor Jonathan Hadary, and Carey, a student curious about Aunt Louisa and family secrets. One of those secrets involved a mysterious person hidden away in an attic room; that person turned out to be their crippled cousin Jillian. Carey tried to restore Jillian's confidence and draw her further into the family, much to Aunt Louisa's consternation. Louisa's attempts to hide family secrets and the true story behind Jillian's accident were not revealed before the show was canceled.
Open All Night is a situation comedy on ABC. It premiered on November 28, 1981, and ran until March 5, 1982. The show centered on Gordon Feester and his oddball family who lived and worked in a convenience store. It was somewhat based on the British series Open All Hours. Jay Tarses was co-creator, writer, and director of the show. Cassandra Peterson made a guest appearance on one episode. David Letterman also made a guest appearance, and made a sly reference to his daytime talk show, which was canceled a year before.
Darkroom is an American television thriller series which ABC transmitted from November 27, 1981 to January 15, 1982. It was an anthology horror/thriller series, similar in style to Rod Serling's Night Gallery. Each 60-minute episode featured two or more stories of varying length with a new story and a new cast, but each of the episode wraparound segments was hosted by James Coburn. Among the performers who appeared on the series were Steve Allen, Esther Rolle, Lawrence Hilton-Jacobs, David Carradine, Billy Crystal, and June Lockhart.
ABC's Sunday morning political affairs program, currently hosted by George Stephanopoulos.
Strike Force is an American action-adventure/police procedural television series that aired on ABC during the 1981–1982 television season, and was produced by Aaron Spelling Productions. The program stars Robert Stack as Capt. Frank Murphy, the leader of a special unit of specialized detectives and police officers whose job is to stop violent criminals at any cost. Mixing elements of Stack's classic TV series The Untouchables from 20 years earlier with doses of Mission: Impossible and Dirty Harry, the series immediately provoked controversy over its violence – at one point the series was labeled the most violent in American TV history – though the series attempted to interject liberal amounts of humor into its regular characters and balanced the violence by focusing on the detectives' personal lives.