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Oil on canvas
19th centuryBritishOil on redwood panel
15th centuryNetherlandish![Untitled [with Anna May Wong]](/images/art-placeholder.jpg)
Collage of cut and printed papers and cellulose acetate, glass, metal rivets, and flocked paper on paper board
20th centuryGermanOil on canvas
20th centuryAmericanBinder: Animal glue Pigments: Bassanite, anhydrite, alunite, red and yellow ochres, bone black, carbon black, madder lake, red lead Support: Native Egyptian sycomore fig (Ficus sycomorus)
2nd-3rd century CEEgyptianOnyx
20th centuryRomanianOil on composite board
19th centuryGermanLimestone with traces of gilding and polychrome pigment
6th-7th centuryChineseHighly polished, translucent brown and honey-colored nephrite
4th-3rd century BCEChineseGilt bronze
8th centuryChineseBinder: Beeswax Pigments: Lead white, red and yellow ochres, carbon black, indigo, madder lake, green earth (celadonite), natrojarosite Support: Native Egyptian sycomore fig (Ficus sycomorus)
2nd century CEEgyptianTempera on panel
15th centuryItalianOil on canvas
17th centuryFrenchWatercolor and charcoal on cream laid paper
20th centuryGermanEtching on off white wove paper
19th centuryAmericanLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings
18th centuryJapaneseEtching on heavy cream antique laid paper
18th centuryItalianAlbumen silver print
19th centuryBritish