400-370 BCE
Pinkish-buff fabric with glossy black slip, misfired below handles, in the area between the two youths on the B-side of the vase, and within the doorway of the A-side scene. Added white and yellow in a good state of preservation. Low, thick, circular base tapers upward very slightly to a reserve band, and is flat on top. Narrow foot curves tightly outward to form a broad bell, with broad lip. Horizontal loop handles turn slightly upward and inward at ends and project as far as the lip of the vessel. A laurel band runs just beneath the lip. Beneath A- and B-side scenes is a meander border broken periodically by an X-shape within a square. The vase is in very good condition, unbroken with only minor cracks on the interior surface, and minor chipping, particularly around the lip. On the obverse is a simple stage (Type I, Trendall, Phlyax) without supporting columns. A phlyax stands on the left with a Doric column behind him. He wears padded tights and jacket and a black bordered cloak. Concealed within the folds of the cloak are yellow and white objects. He wears a headband and his hair and beard are white (Type L, Phlyax). In his right hand he holds a crooked staff. To the far right is a double door through which has just come an old woman, who advances towards the phlyax with outstretched arms. She wears a long-sleeved peplos with a thick black border. She has short white hair and a straight nose, and her mouth is open (Type R, Phlyax). Hanging above and between the two figures is a comic mask with a good head of hair, short beard, and open mouth (Type B, Phlyax). On the reverse, two youths stand facing each other. The one to the left holds a staff in his right hand; his right shoulder is bare. The youth to the right has both arms concealed in his himation. Between them hang a pair of weights, symbol of the palaestra. This is the name-piece of the McDaniel Painter. Particularly characteristic of this artist are the thin laurel leaves around the rim and the relatively small meander.
30 cm h x 33.5 cm diam (11 13/16 x 13 3/16 in.)
Dr. Jacob Hirsch, Geneva, (by 1955). [Adolph Hess AG, Lucerne, and William H. Schab, New York, Auction in Hotel Schweizerhof, Lucerne, December 7, 1957, lot 30], sold; to Department of Classics, Harvard University, Cambridge, 1957, transferred; to Harvard University Art Museums, 2007.
Ceramic
20th centuryFrenchTerracotta, black glaze
4th century BCEGreekJizhou ware: light gray stoneware with tortoiseshell glaze on the exterior, and with papercut decoration reserved in dark brown glaze against a variegated buff ground on the interior. From the kilns at Yonghe, Ji'an, Jiangxi province.
12th-13th centuryChineseTerracotta
4th century BCEGreekMonochrome enameled porcelain: porcelain with overglaze yellow enamel; with underglaze cobalt blue mark reading "Da Qing Kangxi nian zhi" on the base
17th-18th centuryChineseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with spurious underglaze cobalt-blue mark reading reading "Da Ming Yongle nian zhi" below the lip
17th-19th centuryChineseWood
ChineseCeramic
18th centuryJapanesePorcelain with decoration in underglaze cobalt blue and overglaze red and green enamels
17th centuryChineseTerracotta; buff clay and traces of purple and black glaze
6th centuryGreekYue ware: molded light gray stoneware with celadon glaze. From the Yue kilns at Shanglinhu, Zhejiang province.
10th-11th centuryChinese