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Rice Plant (Ine) and Butterbur (Fukinodai), from the series An Array of Plants for the Kasumi Circle (Kasumi-ren sōmoku awase)
Prints
Rice Plant (Ine) and Butterbur (Fukinodai), from the series An Array of Plants for the Kasumi Circle (Kasumi-ren sōmoku awase)
Kubo Shunman 窪俊満, c. 1804-1815

Woodblock print (surimono); ink and color on paper

19th centuryJapanese
Courtier Visiting Lover with text beginning "He hid by the brushwood fence and looked in expectantly..." (Machikaki shibagaki no moto ni tachikakurete mitareba...), from the series The Changelings (Torikaeba monogatari), with poem by Warakuen Harumitsu
Prints
Courtier Visiting Lover with text beginning "He hid by the brushwood fence and looked in expectantly..." (Machikaki shibagaki no moto ni tachikakurete mitareba...), from the series The Changelings (Torikaeba monogatari), with poem by Warakuen Harumitsu
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Plum Blossoms and Lacquered Letter Box with text beginning "Shiranu yō mo nakari tsuran kō nado shō soko shaken[?] mono o...", from the series The Changelings (Torikaeba monogatari), with poems by Tangoan Tsumifusa and associates
Prints
Plum Blossoms and Lacquered Letter Box with text beginning "Shiranu yō mo nakari tsuran kō nado shō soko shaken[?] mono o...", from the series The Changelings (Torikaeba monogatari), with poems by Tangoan Tsumifusa and associates
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Awabi Shell Diver and Children with text beginning "Kyō wa ne no hi no ama naraba kami matsu o oda ni hikamashi mono o...", from the Tosa Diary series (Shōfudai Hisakataya Bunbunsha Tosa nikki), with poems by Kajitsute Tokiwa and associates
Prints
Awabi Shell Diver and Children with text beginning "Kyō wa ne no hi no ama naraba kami matsu o oda ni hikamashi mono o...", from the Tosa Diary series (Shōfudai Hisakataya Bunbunsha Tosa nikki), with poems by Kajitsute Tokiwa and associates
Kubo Shunman 窪俊満, Edo period, circa 1815-1820

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese
White Tea Container (Shiro nakatsugi) and Camellia, from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Suikiotei Baikei, Shichukan Hayazawa and Garyuen
Prints
White Tea Container (Shiro nakatsugi) and Camellia, from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Suikiotei Baikei, Shichukan Hayazawa and Garyuen
Kubo Shunman 窪俊満, Edo period, circa 1817-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Blue Celadon Ladle Stand (Ao seiji shakutate), from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Yufusha Umetsuna, Eirakutei Tomozuru and Garyuen
Prints
Blue Celadon Ladle Stand (Ao seiji shakutate), from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Yufusha Umetsuna, Eirakutei Tomozuru and Garyuen
Kubo Shunman 窪俊満, Edo period, circa 1817-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Black Tea Caddy (Kuro natsume), from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Shinryuen and associates
Prints
Black Tea Caddy (Kuro natsume), from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Shinryuen and associates
Kubo Shunman 窪俊満, Edo period, circa 1817-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Yellow Celebrated Gold Brocade Fabric (Ko kinran meibutsugire), from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Shinryuen and associates
Prints
Yellow Celebrated Gold Brocade Fabric (Ko kinran meibutsugire), from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Shinryuen and associates
Kubo Shunman 窪俊満, Edo period, circa 1817-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Nitta Yoshisada Throwing Sword into the Sea (Inamura ga Saki ni Yoshisada wadatsumi e hakase sasage tamō), from the series Chronicles of Kamakura (Kamakura shi), with poems by Tawara Mitsumori and Chobotei no Kojin
Prints
Nitta Yoshisada Throwing Sword into the Sea (Inamura ga Saki ni Yoshisada wadatsumi e hakase sasage tamō), from the series Chronicles of Kamakura (Kamakura shi), with poems by Tawara Mitsumori and Chobotei no Kojin
Kubo Shunman 窪俊満, Edo period, circa 1813

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Bird Competition (Tori-awasebara), from the series Chronicles of Kamakura (Kamakura shi)
Prints
Bird Competition (Tori-awasebara), from the series Chronicles of Kamakura (Kamakura shi)
Kubo Shunman 窪俊満, circa 1813

Woodblock print (surimono): ink and color on paper

19th centuryJapanese
Illustrated Compendium of Kenchō-ji Temple Treasures (Kenchō-ji hōmotsu zukan), from the series Chronicles of Kamakura (Kamakura shi), with poem by Kyukenkyoku
Prints
Illustrated Compendium of Kenchō-ji Temple Treasures (Kenchō-ji hōmotsu zukan), from the series Chronicles of Kamakura (Kamakura shi), with poem by Kyukenkyoku
Kubo Shunman 窪俊満, Edo period, circa 1813

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Cutting Board Rock at Enoshima (Enoshima Manaitaishi), from the series Chronicles of Kamakura (Kamakura shi), with poems by Kozukean and associates
Prints
Cutting Board Rock at Enoshima (Enoshima Manaitaishi), from the series Chronicles of Kamakura (Kamakura shi), with poems by Kozukean and associates
Kubo Shunman 窪俊満, Edo period, circa 1813

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Gongorō Kagemasa (Gongorō Kagemasa tedama ishi), from the series Chronicles of Kamakura (Kamakura shi), with poem by Shojuro Enin
Prints
Gongorō Kagemasa (Gongorō Kagemasa tedama ishi), from the series Chronicles of Kamakura (Kamakura shi), with poem by Shojuro Enin
Kubo Shunman 窪俊満, Edo period, circa 1813

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Auspicious Day for Travel (Tabidachi yoshi) with Sword, Scarf, Hat and Boxes, from the series Ise Calendar for the Asakusa Group (Asakusa-gawa Ise goyomi), with poem by Asakusa-an Buntsu
Prints
Auspicious Day for Travel (Tabidachi yoshi) with Sword, Scarf, Hat and Boxes, from the series Ise Calendar for the Asakusa Group (Asakusa-gawa Ise goyomi), with poem by Asakusa-an Buntsu
Kubo Shunman 窪俊満, Edo period, circa 1813-1817

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

19th centuryJapanese
Chapter Six (Roku dan) represented by Hat and Fan, from the series Tales of Ise for the Asakura Group (Asakusa-gawa Ise monogatari), with poems by Amihiko and associates
Prints
Chapter Six (Roku dan) represented by Hat and Fan, from the series Tales of Ise for the Asakura Group (Asakusa-gawa Ise monogatari), with poems by Amihiko and associates
Kubo Shunman 窪俊満, Edo period, circa 1813-1817

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Pheasants and Peach Blossoms, from the series Seven Bird-and-Flower Prints for the Fuyōren of Kanuma in Shimotsuke Province (Yamagawa Shimotsuke Kanuma Fuyō-ren kachō shichi-ban tsuzuki no uchi), with poems by Senshunan and associates
Prints
Pheasants and Peach Blossoms, from the series Seven Bird-and-Flower Prints for the Fuyōren of Kanuma in Shimotsuke Province (Yamagawa Shimotsuke Kanuma Fuyō-ren kachō shichi-ban tsuzuki no uchi), with poems by Senshunan and associates
Kubo Shunman 窪俊満, Edo period, circa 1810

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

19th centuryJapanese
Hawk (Taka) and Azalea, from the series Seven Bird-and-Flower Prints for the Fuyōren of Kanuma in Shimotsuke Province (Yamagawa Shimotsuke Kanuma Fuyō-ren kachō shichi-ban tsuzuki no uchi), with poems by Senshunan and associates
Prints
Hawk (Taka) and Azalea, from the series Seven Bird-and-Flower Prints for the Fuyōren of Kanuma in Shimotsuke Province (Yamagawa Shimotsuke Kanuma Fuyō-ren kachō shichi-ban tsuzuki no uchi), with poems by Senshunan and associates
Kubo Shunman 窪俊満, Edo period, circa 1810

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Temmoku Tea Cup and Its Box
Prints
Temmoku Tea Cup and Its Box
Kō Sūkoku, Edo period, dated 1830

Ukiyo-e woodblock printed "surimono"; ink, color and metallic pigment on paper

19th centuryJapanese
Parrot and Peach Blossoms, from the series Six Plaques of Birds and Flowers (Kachō gyokuban rokumai no uchi)
Prints
Parrot and Peach Blossoms, from the series Six Plaques of Birds and Flowers (Kachō gyokuban rokumai no uchi)
Suiwake

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

Japanese
Chinese Landscape
Prints
Chinese Landscape
Soshiseki

Ukiyo-e woodblock printed "surimono"; ink and color on paper

Japanese
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