PrintsJapanese19th century

Blue Celadon Ladle Stand (Ao seiji shakutate), from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Yufusha Umetsuna, Eirakutei Tomozuru and Garyuen

Edo period, circa 1817-1819

Artists

Kubo Shunman 窪俊満Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.3 cm x W. 17.5 cm (8 x 6 7/8 in.)

Related Artworks

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Hokusai manga (Hokusai Sketchbooks), vol. 11

Katsushika Hokusai 葛飾北斎, Late Edo period, circa 1834

Woodblock-printed book; ink and light color on paper

19th centuryJapanese

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Bunpō gafu nihen (Model Sketches by Bunpō vol.2)

Kawamura Bunpō 河村文鳳, 1807-1813

Woodblock printed book; ink and light color on paper

19th centuryJapanese

Prints

French Couple

Utagawa Yoshitora 歌川芳虎, 19th century

Yokohama woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

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Ducks and Reeds

Utagawa Hiroshige 歌川広重, c. 1830-1844

Woodblock print; ink and color on paper

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Prints

Pink Octopus and Three Dancing Women from the series Glorious Amusements of the Brothel Niwaka Festival (Seiro Niwaka zensei asobi)

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1800-1806

Ukiyo-e woodblock print in "aiban" format; ink and color on paper

19th centuryJapanese

Prints

Kinokuni Hill and Distant View of Akasaka Tameike (Kinokunizaka Akasaka Tameike enkei), Number 85 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1856 (9th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Three Cranes, from the Kōrin gafu (Kōrin Picture Album)

Nakamura Hōchū 中村芳中, 1802

Woodblock-printed book (28 detached leaves); ink and color on paper

19th centuryJapanese

Prints

Defying a Shower of Bullets, He, Alone, Opened Hyonmu Gate

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Harada Jūkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kōgeki zuiichi genkōsha Harada Jūkichi shi sentō funsen zu)

Mizuno Toshikata, Meiji period, dated 1894

Right panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Comparison of the Destinies of the Enlightened and the Antiquated (Kaika kyūhei kōhai kurabe)

Utagawa Yoshifuji, 1882 (Meiji 15)

Center sheet from an ukiyo-e woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Eager to Meet her Lover

Utagawa Kunisada 歌川国貞, Edo period, 1859

Ukiyo-e woodblock print in "ōban" format; ink, color and embossing on paper, with printed signature reading "Toyokuni ga"

19th centuryJapanese

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Woman Writing by Sake Barrel / Rihaku (Li Bai / Li Bo), from the series Eight Drinking Immortals (Inchu hassen)

Katsushika Hokusai 葛飾北斎, Edo period, circa 1805

Ukiyo-e woodblock-printed "surimono" in "jūni-giri ban" format; ink, color and metallic pigment on paper, with printed signature reading "Kyūkyūshin aratame Hokusai ga"

18th-19th centuryJapanese