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Court Lady Serving Sake to Otomo no Yakamochi (717?-785), with poems by Bunkeisha Shiomichi, Bungaen Yukimaru and Bunbunsha
Prints
Court Lady Serving Sake to Otomo no Yakamochi (717?-785), with poems by Bunkeisha Shiomichi, Bungaen Yukimaru and Bunbunsha
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Still Life of Konbu Seaweed(?) and Nandina (Nanten) Wrapped in Bamboo Leaves, with various poems
Prints
Still Life of Konbu Seaweed(?) and Nandina (Nanten) Wrapped in Bamboo Leaves, with various poems
Kubo Shunman 窪俊満, Edo period, dated 1812 (Bunka 9)

Ukiyo-e woodblock-printed surimono in "yotsugiri-ban" format; ink, color and embossing on paper

19th centuryJapanese
Shellwork Screen (Kaibyōbu) and Box of Abalone from Enoshima, with poems by Sensōan, Kosentei Kadomori and Hakusōan Kakusei (Asajian et al.)
Prints
Shellwork Screen (Kaibyōbu) and Box of Abalone from Enoshima, with poems by Sensōan, Kosentei Kadomori and Hakusōan Kakusei (Asajian et al.)
Kubo Shunman 窪俊満, Edo period, dated 1809 (Spring, Year of the Snake)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Votive Paintings (Emadō) of Peacock, Warrior with Gun and Pine and Sun, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with poems by Hisagataya and associates
Prints
Votive Paintings (Emadō) of Peacock, Warrior with Gun and Pine and Sun, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with poems by Hisagataya and associates
Kubo Shunman 窪俊満, Edo period, circa 1814-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Votive Paintings (Emadō) of Peonies, Pheasant and Futami Bay (Futami ga Ura), Number One (Sono ichi) from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with poems by Hisagataya and associates
Prints
Votive Paintings (Emadō) of Peonies, Pheasant and Futami Bay (Futami ga Ura), Number One (Sono ichi) from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with poems by Hisagataya and associates
Kubo Shunman 窪俊満, Edo period, circa 1814-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Votive Paintings (Emadō) of Camellias and Court Lady and Monk at Kiyomizu-dera, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with various poems
Prints
Votive Paintings (Emadō) of Camellias and Court Lady and Monk at Kiyomizu-dera, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with various poems
Kubo Shunman 窪俊満, Edo period, circa 1814-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Chinese Boy Feeding Dragon, with poems by Chiurutei and Kansanro
Prints
Chinese Boy Feeding Dragon, with poems by Chiurutei and Kansanro
Kubo Shunman 窪俊満, Edo period, probably 1809 (Bunka 5, Year of the Dragon)

Ukiyo-e woodblock-printed surimono in "kokonotsugiri-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Wedding Dolls, with poem by Suraien Tenma
Prints
Wedding Dolls, with poem by Suraien Tenma
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "kokonotsugiri-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Actors Ichikawa Danjūrō 7th as Soga no Gorō and Arashi Sangorō 3rd as Asahina, with poem by Komadō (or Dokurakudō)
Prints
Actors Ichikawa Danjūrō 7th as Soga no Gorō and Arashi Sangorō 3rd as Asahina, with poem by Komadō (or Dokurakudō)
Kubo Shunman 窪俊満, Edo period, circa 1816 (Bunka 12)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Viewing Enōshima, with poems by Shinsenen Sagimaru and Kagetsuan Hamabei Kurondo, from the illustrated book Yomo no yama
Prints
Viewing Enōshima, with poems by Shinsenen Sagimaru and Kagetsuan Hamabei Kurondo, from the illustrated book Yomo no yama
Kubo Shunman 窪俊満, Edo period, 1809

Ukiyo-e woodblock-printed book illustration; ink, color and embossing on paper

19th centuryJapanese
Young Woman Beneath Plum Tree, with poems by Shokutoen Jobun and an associate
Prints
Young Woman Beneath Plum Tree, with poems by Shokutoen Jobun and an associate
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Auspicious Day for Manicuring (Tsumetori yoshi), from the series Ise Calendar for the Asakusa Group (Asakusa-gawa Ise goyomi), with poems by Jūnigatsuan Umezuke and associates
Prints
Auspicious Day for Manicuring (Tsumetori yoshi), from the series Ise Calendar for the Asakusa Group (Asakusa-gawa Ise goyomi), with poems by Jūnigatsuan Umezuke and associates
Kubo Shunman 窪俊満, Edo period, circa 1813-1817

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

19th centuryJapanese
Peach Blossoms and Pheasant Feathers, with poems by Yomo no Utagaki and Kurendo
Prints
Peach Blossoms and Pheasant Feathers, with poems by Yomo no Utagaki and Kurendo
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

19th centuryJapanese
Orchids, with poem by Ichijian Kigyoku
Prints
Orchids, with poem by Ichijian Kigyoku
Kubo Shunman 窪俊満, Edo period, either 1804 (Spring of the Year of the Rat) or 1812

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

19th centuryJapanese
Carrying Lunch to Rice Planters
Prints
Carrying Lunch to Rice Planters
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Recut ukiyo-e woodblock-printed "shikishi-ban" format copy of a haikai surimono; ink and color on paper

19th centuryJapanese
Women and Child Watching Manzai Dancers (by Suzuki Rinshō), from the illustrated book Haru no iro(?) or Momo saezuri(?)
Prints
Women and Child Watching Manzai Dancers (by Suzuki Rinshō), from the illustrated book Haru no iro(?) or Momo saezuri(?)
Kubo Shunman 窪俊満, Edo period, circa 1796

Ukiyo-e woodblock-printed book illustration; ink, color and embossing on paper, with printed signatures reading Kubo Shunman ga (right) and Kakuto (left)

18th centuryJapanese
Court Ladies and Child Holding Pheasant's Eye Plant (Fukujusō) by Wheeled Writing Table (Fuguruma) at New Year's
Prints
Court Ladies and Child Holding Pheasant's Eye Plant (Fukujusō) by Wheeled Writing Table (Fuguruma) at New Year's
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Court Lady and Two Child Attendants, from the illustrated book Momo saezuri
Prints
Court Lady and Two Child Attendants, from the illustrated book Momo saezuri
Kubo Shunman 窪俊満, Edo period, circa 1796

Ukiyo-e woodblock-printed surimono; ink and color on paper

18th centuryJapanese
Shrine Girl (Miko) Wearing High Geta and Holding Robe Over Her Head representing Humanity (Jin), from the series of Five Virtues for the Katsushika Group (Katsushika goban), with poems by Shunhan, Shogan and Shofudai
Prints
Shrine Girl (Miko) Wearing High Geta and Holding Robe Over Her Head representing Humanity (Jin), from the series of Five Virtues for the Katsushika Group (Katsushika goban), with poems by Shunhan, Shogan and Shofudai
Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese
Iris (Kakitsubata) and Peony (Botan), from the series An Array of Plants for the Kasumi Circle (Kasumi-ren sōmoku awase), with poems by Gurendo Nakakubo and Haikai Utaba (Utagaki Magao)
Prints
Iris (Kakitsubata) and Peony (Botan), from the series An Array of Plants for the Kasumi Circle (Kasumi-ren sōmoku awase), with poems by Gurendo Nakakubo and Haikai Utaba (Utagaki Magao)
Kubo Shunman 窪俊満, Edo period, circa 1804-1815

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

19th centuryJapanese
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