PrintsJapanese19th century

Actors Ichikawa Danjūrō 7th as Soga no Gorō and Arashi Sangorō 3rd as Asahina, with poem by Komadō (or Dokurakudō)

Edo period, circa 1816 (Bunka 12)

Artists

Kubo Shunman 窪俊満Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.9 cm x W. 18.5 cm (8 1/4 x 7 5/16 in.)

Related Artworks

Prints

Koume Embankment (Koumezutsumi), Number 104 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (2nd month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Bow-shaped Crescent Moon (Yumiharizuki), from the series Twenty-eight Views of the Moon (Tsuki nijū hakkei no uchi)

Utagawa Hiroshige 歌川広重, c. 1832

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Plum Branch in Moon Light, with poems by Takinoya Kiyome and Yukinoya Takane

Yashima Gakutei 八島岳亭, Edo period, circa 1820

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Surrender of Admiral Ding Ruchang of the Northern (Chinese) Fleet at the Fall of Weihaiwei (Ikaiei kanraku hokuyōkantai teitoku teijoshō kofukuzu)

Migita Toshihide, Meiji period, dated 1895

Proper right panel of a woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "ōju Toshihide"

19th centuryJapanese

Prints

Northern Country from the series Three Amusements of Contemporary Beauties

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1800

Ukiyo-e woodblock print in "naga-ōban" format; ink and color on paper

19th centuryJapanese

Prints

At the Foot of Fuji (Fuji no fumoto): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Triptych: Beating the Second Wife According to the Old Custom

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1852

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

FAMOUS PLACES OF THE 53 STATIONS OF THE TOKAIDO, " ISHIYAKUSHI (STATION 45)

Utagawa Hiroshige 歌川広重, Late Edo period, 1855

Ink on paper

19th centuryJapanese

Prints

Fuji Seen from the Dyers' Quarter (Kon'ya-chō no Fuji): Detatched Page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, 1835 (Tempō 6)

Woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

A Noble's Villa - Fuji at Sunamura (Kika bessō Sunamura no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

English Couple (Igirisujin), from the series A Collection of Various Countries (Bankoku zukushi), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, twelfth month of 1860

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

A Good Time for the First Calligraphy (Fude hajime yoshi), from the series Series for the Hanazono Group (Hanazono bantsuzuki)

Totoya Hokkei 魚屋北渓, c. 1824 (Bunsei 7)

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese