1962
H. 32.9 x W. 61.5 cm (12 15/16 x 24 3/16 in.)
Kyle Edward Wilson, Jr., Alvin, Texas (by 1968-2002), estate sale; to Harvard University Art Museums, 2003. Footnote: 1. Kyle Edward Wilson, Jr. (1931-2002)
Sketch, underdrawing, or preliminary drawing for a Buddhist painting, now framed; ink and light colors on paper
18th-20th centuryKoreanHanging scroll; ink and colors on silk; with two seals of the artist
19th-20th centuryKoreanHanging scroll; ink on silk; with artist inscription, signature reading "So-ho che," and his three seals; additional inscriptions, signatures, and seals of three other individuals
20th centuryKoreanHanging scroll; ink and color on silk; with artist's inscription and signature of the artist reading "Kyong-sul won-chong Sim-chon An Chung-sik sa"; with seals of the artist reading "An Chung Sik In" (square, red, intaglio seal) and "Sim Chon" (square, red, relief seal)
20th centuryKoreanHanging scroll; ink and colors on paper; with inscription, signature, and one seal of the artist
20th centuryKoreanHanging scroll; ink on paper; with inscription, signature, and three seals of the artist
20th centuryKoreanHanging scroll; ink on silk; with inscription by the artist; with artist's signature reading "Hae-kang Kim Kyu-chin"; with three seals of the artist
19th-20th centuryKoreanInk and bright color on paper; with date and signature of the artist reading "Yu San [written in Hangul script] '99"
20th centuryKoreanHanging scroll; ink on silk satin; with an inscription by the artist and three seals of the artist
20th centuryKoreanHanging scroll; ink on silk; with artist inscription, signature reading "So-ho," and three seals reading "Kim Ŭng-wŏn in", "So-ho", and "Ch'ŏn-ram"
19th-20th centuryKoreanHanging scroll; ink on satin silk; with signature reading "Chŏng Hak-kyo"; with two seals of the artist
20th centuryKoreanEight-panel folding screen; ink on sky-blue tinted paper; each of the eight paintings with artist's inscription followed by a signature reading "Soho" (Chinese, "Xiaohu"); the first (i.e., far right) painting also with a signature of the artist reading "Kim Ŭng-wŏn"; each inscription preceded by an elongated elliptical red seal and each signature followed by two red seals, all the seals now virtually obliterated through abrasion
19th-20th centuryKorean