Chosŏn dynasty, dated to 1874
This rectangular album leaf is a personal letter written by Yi Ha-ung (1820-1898). The last column of calligraphy on the (viewer's) left includes a date that corresponds to 1874 in the Gregorian calendar-that is, the letter is dated to the twentieth eighth day of the eighth lunar month of the kap-sul (Chinese, jiaxu) cyclical year, which corresponds to 1874. The letter paper comprises three vertical columns: buff (viewer's right), white (middle), and cranberry red (left). The buff column displays very subtle embellishment, probably a floral motif woodblock-printed in buff ink. It is probable that each column of paper originally was a separate sheet and that a collector pasted the three sheets together to form a single sheet. In fact, those portions of the letter on buff and white paper (i.e., right and middle portions) make sense when read together, just as their calligraphic style--and particularly the generous spacing of the characters--is virtually identical. By contrast, the contents of that portion on red paper (i.e., left portion) does not easily link with the contents of the other two portions; in addition, the characters are written very close together. The last-named element suggests either 1) that a page is--or several pages are--missing from the letter (and that Yi Ha-ung wrote the last page rather quickly, trying to squeeze everything onto one page) or 2) that the portion on red paper (i.e., left portion) might be from another letter and subsequently was joined to two pages from a different letter. Either possibility makes sense; probably we'll never know the exact situation. In any event, all three portions are from Yi Ha-ung's hand and all seem to date to the same period.
letter proper: H. 22.4 x W. 34.6 cm (8 13/16 x 13 5/8 in.)
[Kang Collection, New York (2006)] sold; to Harvard University Art Museums, 2006.
One of a pair of hanging scrolls now mounted as the third and fourth panels of a ten-panel folding screen; ink on paper decorated with seven dragon-and-pearl roundels interspersed with designs of flying bats and scrolling clouds, the decorations all painted in ink; with signature reading "Sŏk-ch'on Cho-su"; with two seals of the artist reading "Yun Yong Ku In" and "Yŏk Su Hŏn"
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19th centuryKoreanOne of a pair of hanging scrolls now mounted as the third and fourth panels of a ten-panel folding screen; ink on paper decorated with seven dragon-and-pearl roundels interspersed with designs of flying bats and scrolling clouds, the decorations all painted in ink; with signature reading "Sŏk-ch'on Cho-su"; with two seals of the artist reading "Yun Yong Ku In" and "Yŏk Su Hŏn"
19th-20th centuryKoreanOne of a pair of hanging scrolls now mounted as the seventh and eighth panels of a ten-panel folding screen; ink on lavendar- and orange-tinted papers decorated with seven dragon-and pearl roundels interspersed with scrolling clouds on the right panel and with designs of flying bats and scrolling clouds on the left panel, the decorations all painted in ink; with signature of the artist reading "Hae-sa"; with one square, red, intaglio seal of the artist reading "Kim Sŏng Kŭn In"
19th-20th centuryKoreanOne of a pair of hanging scrolls now mounted as the first and second panels of a ten-panel folding screen; ink on paper decorated with designs of auspicious emblems and fruiting and blossoming branches painted in ink and pigments and also with designs of scrolling clouds painted (or printed?) in metallic pigment; with signature of the artist reading "Cha-ha"; with one square, red, relief seal of the artist reading "Cha Ha"
19th centuryKoreanOne of a pair of hanging scrolls now mounted as the seventh and eighth panels of a ten-panel folding screen; ink on lavendar- and orange-tinted papers decorated with seven dragon-and pearl roundels interspersed with scrolling clouds on the right panel and with designs of flying bats and scrolling clouds on the left panel, the decorations all painted in ink; with signature of the artist reading "Hae-sa"; with one square, red, intaglio seal of the artist reading "Kim Sŏng Kŭn In"
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19th centuryKoreanOne of a pair of hanging scrolls now mounted as the fifth and sixth panels of a ten-panel folding screen; ink on yellow-tinted paper decorated with auspicious emblems and scholar's accoutrements (censer set, brushpot, vases with flowering branches, scholar's rocks on wooden stands, etc.) amidst scrolling clouds, the decorations all painted in ink; with signature of the artist reading "Wi-ch'ang"; with three seals of the artist reading "O Se Ch'ang In", "Wi Ch'ang" and "Wi Chi Chae P'il"
19th-20th centuryKoreanOne of a pair of hanging scrolls now mounted as the first and second panel of a ten-panel folding screen; ink on paper decorated with designs of auspicious emblems and fruiting and blossoming branches painted in ink and pigments and also with designs of scrolling clouds painted (or printed?) in metallic pigment; with signature of the artist reading "Cha-ha"; with one square, red, relief seal of the artist reading "Cha Ha"
19th centuryKoreanFive pairs of hanging scrolls mounted as a folding screen; ink on decorated papers; each couplet with signature and seals of the artist
19th-20th centuryKoreanOne of a pair of hanging scrolls now mounted as the fifth and sixth panels of a ten-panel folding screen; ink on yellow-tinted paper decorated with auspicious emblems and scholar's accoutrements (censer set, brushpot, vases with flowering branches, scholar's rocks on wooden stands, etc.) amidst scrolling clouds, the decorations all painted in ink; with signature of the artist reading "Wi-ch'ang"; with three seals of the artist reading "O Se Ch'ang In", "Wi Ch'ang" and "Wi Chi Chae P'il"
19th-20th centuryKorean