4th-2nd century BCE
The mold-made votive includes only the ankle and foot, along with a sole-like base that follows the outlines of the foot. The toes are elongated and have modeled toenails. This foot was not originally part of a larger statue. It was instead molded separately, probably in order to serve as a votive object in a sanctuary. Such anatomical votives are thought to have had a connection to healing. A worshipper might dedicate a votive body part to request that the corresponding part of his or her own body be cured, or as a thank-offering after being restored to health.
4.8 x 9.9 x 4.4 cm (1 7/8 x 3 7/8 x 1 3/4 in.)
Walton Brooks McDaniel, New Jersey (by 1943/46), gift; to the Department of the Classics, Harvard University (1943/46-2012), transfer; to the Harvard Art Museums, 2012. Note: Walton Brooks McDaniel gave a portion of his collection to the Department of the Classics in 1943 and the rest in 1946. The Collection is named for his late wife, Alice Corinne McDaniel.
Alabaster
1st century BCE-2nd century CEParthianCypress wood with traces of gilding; shrine contains metal fittings and black lacquer
18th-19th centuryJapaneseMetal
ThaiTerracotta
Coffee filters in paper envelope, inscribed in red fiber-tip ink, and stamped
20th centuryGermanPainted plaster
19th centuryFrenchMixed copper alloy
2nd-6th centuryRomanCast bronze
9th century BCEChineseHydrocal
20th centuryAmericanAlabaster
9th century BCENeo-AssyrianWood, single-woodblock construction; with traces of polychrome
20th centuryJapaneseMixed media, including sequins, glitter, buttons, decorative trim, costume jewelry, raffia, feathers, foil stars, small mirrors, foil sequins waste, fabric tassels, paints and binders on cast purple-gray paper pulp, marbled newsprint, paper ephemera and fabric strips.
20th centuryPhilippine-American