4th-2nd century BCE
The mold-made votive includes only the ankle and foot, along with a sole-like base that follows the outlines of the foot. The toes are elongated and have modeled toenails. This foot was not originally part of a larger statue. It was instead molded separately, probably in order to serve as a votive object in a sanctuary. Such anatomical votives are thought to have had a connection to healing. A worshipper might dedicate a votive body part to request that the corresponding part of his or her own body be cured, or as a thank-offering after being restored to health.
4.8 x 9.9 x 4.4 cm (1 7/8 x 3 7/8 x 1 3/4 in.)
Walton Brooks McDaniel, New Jersey (by 1943/46), gift; to the Department of the Classics, Harvard University (1943/46-2012), transfer; to the Harvard Art Museums, 2012. Note: Walton Brooks McDaniel gave a portion of his collection to the Department of the Classics in 1943 and the rest in 1946. The Collection is named for his late wife, Alice Corinne McDaniel.
Bronze, with brown, green and black over golden bronze patina
19th centuryFrenchTerracotta
6th century BCEGreekMixed copper alloy
7th-1st century BCEEgyptianTerracotta, mold made
5th century BCEGreekSticker on wood veneer
20th centuryGermanStone
ChineseBronze
20th centuryFrenchTerracotta
3rd-1st century BCEEtruscanTerracotta, mold-made
7th-6th century BCEGreekConstruction of wire with wood
20th centuryAmericanCold-painted funerary ware: molded medium gray earthenware with traces of cold-painted pigments
2nd century BCEChinesePlaster
19th centuryItalian