c. 1650
14.7 × 14.3 cm (5 13/16 × 5 5/8 in.)
William Rothenstein, England (1872-1945).[1] [Walker-Goodman Art Gallery, Boston]. John and Anne Straus, New York, by 1957, bequest; to Harvard Art Museums [1] In his memoir, "Men and Memories: Recollections 1872-1938 of William Rothenstein," 3 vols. (1931-40), William Rothenstein, the British artist, makes three references to his Rembrandt drawings, including his purchase of two Rembrandt drawings at “Parsons' in Brompton Road” (vol. 1, p. 239-40) and his sale of his Rembrandt drawings during World War I to support war relief efforts (vol. 2, p. 287); see also vol. 2, p. 21. On Parsons, see https://www.britishmuseum.org/collection/term/BIOG26077. For additional information on Rothenstein's collection, see Augustus John, "Will Rothenstein," in "Sir William Rothenstein, 1872–1945: A Memorial Exhibition," Tate Gallery, London 1950, p. 4, and Samuel Shaw, "Rembrandt and Reality," in Samuel Shaw (ed.), "In Focus: The Doll’s House 1899–1900 by William Rothenstein," Tate Research Publication, 2016, https://www.tate.org.uk/research/publications/in-focus/the-dolls-house-william-rothenstein/rembrandt-and-reality, accessed 7 December 2020.
Brown ink, brown wash and white opaque watercolor on cream antique laid paper, partial framing line in places with gold border, mounted
17th centuryDutchGouache and watercolor
17th-18th centuryDutchRed chalk and red chalk wash on cream antique laid paper, framing line in brown ink
17th centuryDutchBrown ink, brown wash, and white opaque watercolor on off-white antique laid paper
17th centuryDutchBlack and white chalk and black wash on blue antique laid paper, with a framing line in black ink over black chalk
17th centuryDutchBrown ink and gray wash, incised, on white antique laid paper, framing line in brown ink
16th-17th centuryDutchGraphite on parchment
17th centuryDutchBlack ink, gray wash, black chalk, and white opaque watercolor on tan antique laid paper
17th centuryDutchCharcoal and white chalk on off-white antique laid paper prepared with brown wash (?), framing line in charcoal; verso: red chalk squiggle
17th centuryDutchOpaque and transparent watercolor and black chalk on cream antique laid paper
17th centuryDutchRed chalk counterproof with touches of black chalk on cream antique laid paper
17th centuryDutchTransparent and opaque watercolor over graphite on off-white antique laid paper, framing lines in brown ink and shell gold
17th centuryDutch