c. 1650
14.7 × 14.3 cm (5 13/16 × 5 5/8 in.)
William Rothenstein, England (1872-1945).[1] [Walker-Goodman Art Gallery, Boston]. John and Anne Straus, New York, by 1957, bequest; to Harvard Art Museums [1] In his memoir, "Men and Memories: Recollections 1872-1938 of William Rothenstein," 3 vols. (1931-40), William Rothenstein, the British artist, makes three references to his Rembrandt drawings, including his purchase of two Rembrandt drawings at “Parsons' in Brompton Road” (vol. 1, p. 239-40) and his sale of his Rembrandt drawings during World War I to support war relief efforts (vol. 2, p. 287); see also vol. 2, p. 21. On Parsons, see https://www.britishmuseum.org/collection/term/BIOG26077. For additional information on Rothenstein's collection, see Augustus John, "Will Rothenstein," in "Sir William Rothenstein, 1872–1945: A Memorial Exhibition," Tate Gallery, London 1950, p. 4, and Samuel Shaw, "Rembrandt and Reality," in Samuel Shaw (ed.), "In Focus: The Doll’s House 1899–1900 by William Rothenstein," Tate Research Publication, 2016, https://www.tate.org.uk/research/publications/in-focus/the-dolls-house-william-rothenstein/rembrandt-and-reality, accessed 7 December 2020.
Brown ink and brown wash over black chalk on off-white paper
17th centuryDutchBrown ink, brown wash, and transparent watercolor on cream antique laid paper, laid down on an inlay mount, framing line in brown ink
17th centuryDutchBlack chalk on parchment, framing line in graphite
17th centuryDutchBrown ink and touches of black chalk on off-white antique laid paper; verso: stray black ink marks
17th centuryDutchBrown ink and brown wash over graphite on cream antique laid paper
17th centuryDutchBlack chalk, gray wash, some incised lines in lower half of added strip at right, on off-white antique laid paper
17th centuryDutchTransparent and opaque watercolor over graphite on cream antique laid paper, framing line in brown ink
17th centuryDutchBlack chalk on faded blue (?) paper
17th centuryDutchBlack and white chalk or opaque watercolor with stray oil [?], with a framing line in black chalk, on light tan antique laid paper, perhaps prepared
17th centuryDutchBrown ink and black and red chalk on oatmeal (formerly blue) paper; verso: brown ink and black chalk
17th centuryDutchBrown ink, brown wash and later [?] gray-blue wash over touches of graphite on cream antique laid paper, framing line in brown ink
17th centuryDutchBlack chalk on cream antique laid paper, double framing line at bottom in black chalk
16th-17th centuryDutch