c. 1650
14.7 × 14.3 cm (5 13/16 × 5 5/8 in.)
William Rothenstein, England (1872-1945).[1] [Walker-Goodman Art Gallery, Boston]. John and Anne Straus, New York, by 1957, bequest; to Harvard Art Museums [1] In his memoir, "Men and Memories: Recollections 1872-1938 of William Rothenstein," 3 vols. (1931-40), William Rothenstein, the British artist, makes three references to his Rembrandt drawings, including his purchase of two Rembrandt drawings at “Parsons' in Brompton Road” (vol. 1, p. 239-40) and his sale of his Rembrandt drawings during World War I to support war relief efforts (vol. 2, p. 287); see also vol. 2, p. 21. On Parsons, see https://www.britishmuseum.org/collection/term/BIOG26077. For additional information on Rothenstein's collection, see Augustus John, "Will Rothenstein," in "Sir William Rothenstein, 1872–1945: A Memorial Exhibition," Tate Gallery, London 1950, p. 4, and Samuel Shaw, "Rembrandt and Reality," in Samuel Shaw (ed.), "In Focus: The Doll’s House 1899–1900 by William Rothenstein," Tate Research Publication, 2016, https://www.tate.org.uk/research/publications/in-focus/the-dolls-house-william-rothenstein/rembrandt-and-reality, accessed 7 December 2020.
Opaque watercolor and brown ink with touches of transparent watercolor on off-white antique laid paper, mounted, triple framing line in black, gold, and brown
17th centuryDutchBrown ink, brown and gray wash, transparent watercolor and graphite on cream antique laid paper
17th centuryDutchBlack ink and gray wash over graphite on cream antique laid paper, autograph framing line in graphite
17th-18th centuryDutchBrown ink, brown wash on cream antique laid paper, framing lines in brown ink
17th centuryDutchBrown ink, brown and gray wash, pink and green transparent watercolor and white opaque watercolor over black chalk on cream antique laid paper, framing line in brown ink
17th centuryDutchOpaque and transparent watercolor on off-white antique laid paper
17th centuryDutchOpaque and transparent watercolor over graphite on off-white antique laid paper; double framing line in black ink
17th centuryDutchCharcoal (oiled?), black chalk, and white chalk on brown antique laid paper
17th centuryDutchBrown ink, gray and brown wash over black and red chalk on off-white antique laid paper, incised, framing line in brown ink, mounted on a gilt and hand-colored mount of blue paper
17th centuryDutchBrown wash over graphite on off-white antique laid paper
17th centuryDutchparchment
17th centuryDutchBlack chalk on cream antique laid paper
17th centuryDutch