c. 1650
14.7 × 14.3 cm (5 13/16 × 5 5/8 in.)
William Rothenstein, England (1872-1945).[1] [Walker-Goodman Art Gallery, Boston]. John and Anne Straus, New York, by 1957, bequest; to Harvard Art Museums [1] In his memoir, "Men and Memories: Recollections 1872-1938 of William Rothenstein," 3 vols. (1931-40), William Rothenstein, the British artist, makes three references to his Rembrandt drawings, including his purchase of two Rembrandt drawings at “Parsons' in Brompton Road” (vol. 1, p. 239-40) and his sale of his Rembrandt drawings during World War I to support war relief efforts (vol. 2, p. 287); see also vol. 2, p. 21. On Parsons, see https://www.britishmuseum.org/collection/term/BIOG26077. For additional information on Rothenstein's collection, see Augustus John, "Will Rothenstein," in "Sir William Rothenstein, 1872–1945: A Memorial Exhibition," Tate Gallery, London 1950, p. 4, and Samuel Shaw, "Rembrandt and Reality," in Samuel Shaw (ed.), "In Focus: The Doll’s House 1899–1900 by William Rothenstein," Tate Research Publication, 2016, https://www.tate.org.uk/research/publications/in-focus/the-dolls-house-william-rothenstein/rembrandt-and-reality, accessed 7 December 2020.
Charcoal (oiled?), black chalk, and white chalk on brown antique laid paper
17th centuryDutchGraphite and gray wash on white prepared parchment
17th centuryDutchTransparent and opaque watercolor on cream antique laid paper
17th centuryDutchBrown ink, gray and brown wash, graphite and black chalk on cream antique laid paper
17th centuryDutchBlack chalk and gray wash on brownish-gray prepared paper
17th centuryDutchBrown ink and brown and gray wash on cream antique laid paper
17th centuryDutchGraphite and brown wash on cream antique laid paper, with a framing line in black ink; verso: graphite and brown wash
17th centuryDutchBrown ink, brown wash, black chalk and white opaque watercolor, partially incised, on light tan antique laid paper
17th centuryDutchBrown ink and brown wash on cream antique laid paper; verso: red chalk
17th centuryDutchBlack ink, gray wash, black chalk, stray white opaque watercolor, stray red pastel, and stray blue-green transparent watercolor stains on light tan antique laid paper, framing line in black ink, laid down on thick antique laid paper
17th centuryDutchGraphite on parchment
17th centuryDutchBrown wash over black chalk on cream antique laid paper, framing line in brown ink
17th centuryDutch