17th century
22 × 8.9 cm (8 11/16 × 3 1/2 in.)
Charles Gasc, Paris (Lugt 543). William Bates (1820-1884), Birmingham (Lugt 2604).[1] Egbert Haverkamp-Begemann, Amsterdam and New York, by descent; to his estate, sold [through Sotheby's, New York, January 31, 2018, lot 313]; to George Abrams, Boston [1] see "Catalogue of the Collection of Drawings, Paintings, Engravings, &c., the Property of the Late William Bates Esq...," Sotheby, Wilkinson & Hodge, London, January 19, 1887, possibly part of lot 317 (sold to "Ogden").
Red chalk on cream antique laid paper, partial framing lines in brown ink and graphite
17th centuryDutchBrown ink over black chalk on cream antique laid paper
17th centuryDutchBrown ink and brown and gray wash on parchment
17th centuryDutchGraphite and metalpoint (?) on off-white antique laid paper, framing line in black ink, laid down on antique laid paper
17th centuryDutchTransparent and opaque watercolor, gray ink over graphite on parchment
17th centuryDutchBrown ink [?] on parchment
17th centuryDutchBrown ink and small touch of black chalk on light tan antique laid paper, partial framing line in graphite
17th centuryDutchBrown ink, and gray wash on cream antique laid paper, double framing line in brown ink, pinhole in the center, laid down on antique laid paper
17th centuryDutchBlack and red chalk on parchment
17th centuryDutchBlack chalk, gray ink, gray wash on antique laid paper
17th centuryDutchGraphite with touches of black chalk on parchment
17th centuryDutchBlack chalk, charcoal, and brown and gray wash on cream antique laid paper, framing lines in brown and black ink
17th centuryDutch