17th century
22 × 8.9 cm (8 11/16 × 3 1/2 in.)
Charles Gasc, Paris (Lugt 543). William Bates (1820-1884), Birmingham (Lugt 2604).[1] Egbert Haverkamp-Begemann, Amsterdam and New York, by descent; to his estate, sold [through Sotheby's, New York, January 31, 2018, lot 313]; to George Abrams, Boston [1] see "Catalogue of the Collection of Drawings, Paintings, Engravings, &c., the Property of the Late William Bates Esq...," Sotheby, Wilkinson & Hodge, London, January 19, 1887, possibly part of lot 317 (sold to "Ogden").
Black and white chalk and yellowish-white pastel on blue paper
17th centuryDutchparchment
17th centuryDutchBrown ink, brown and gray wash, and black chalk on cream antique laid paper, framing line in black ink; a paper inlay 10 mm wide around the edges on the verso
17th centuryDutchBlack chalk on off-white antique laid paper; verso: brown ink
17th centuryDutchBlack ink, gray wash and graphite on cream antique laid paper, framing line in graphite
17th centuryDutchTransparent and opaque watercolor, gray ink and graphite on parchment, mounted ata four corners
17th centuryDutchBlack ink, gray wash, and red-brown wash on cream antique laid paper; verso: black ink and gray wash
17th centuryDutchBrown ink and brown wash on light tan antique laid paper
17th centuryDutchWatercolor and brown, gray, and black ink on off-white antique laid paper
17th centuryDutchBlack chalk on cream antique laid paper, framing line in black ink
17th centuryDutchBrown ink and brown wash on off-white antique laid paper, framing line in brown ink
17th-18th centuryDutchBlack chalk and gray wash on cream antique laid paper, partial framing line in black chalk
17th centuryDutch