1845
The small manuscript of 72 folios opens with an illuminated European-style sarlawh featuring flowers and acanthus leaves. The text is written in Ottoman ta‘liq script. The preface in Ottoman Turkish is arranged in 17 lines to a page, and the verses 12 lines in two columns. Colored papers are used throughout the text. All the folios are decorated with horizontal bars in gold and blue/green separating the quatrains. The manuscript is copied by Sayyid 'Abdi in 1261/1845. The green leather binding is gilded, and the doublure (inside cove is covered with blue paper with embossed patterns.
20 x 14 cm (7 7/8 x 5 1/2 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Two-sided accordion-fold manuscript; ink, color and gold on khoi paper, with lacquered cover
19th centuryThaiInk and gold on paper
18th-19th centuryPersianInk and gold on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
18th-19th centuryOttomanInk, colors, and gold on paper
19th centuryOttomanHandscroll fragment, unmounted: one of two (text); ink on paper
18th-19th centuryJapanesePainting with text; ink, opaque watercolor and gold, with lacquer binding
19th centuryPersianTwo-sided horizontal accordion-fold album; ink, color, and gold on paper
19th centuryThaiInk, opaque watercolor, gold and graphite on paper
19th centuryIndianWatercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
18th and 19th centuriesPersianInk, opaque watercolor and gold on paper
19th centuryOttomanInk, opaque watercolor and gold on paper
18th-19th centuryOttoman