1845
The small manuscript of 72 folios opens with an illuminated European-style sarlawh featuring flowers and acanthus leaves. The text is written in Ottoman ta‘liq script. The preface in Ottoman Turkish is arranged in 17 lines to a page, and the verses 12 lines in two columns. Colored papers are used throughout the text. All the folios are decorated with horizontal bars in gold and blue/green separating the quatrains. The manuscript is copied by Sayyid 'Abdi in 1261/1845. The green leather binding is gilded, and the doublure (inside cove is covered with blue paper with embossed patterns.
20 x 14 cm (7 7/8 x 5 1/2 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, opaque watercolor and gold on paper
19th centuryOttomanOpaque watercolor and gold on paper; Pahari Style, Kangra School
19th centuryIndianInk, colors, and gold on paper
19th centuryPersianTwo-sided horizontal accordion-fold manuscript; ink, color, and gold on paper; with lacquered covers with gold-painted motifs
19th centuryThaiUnmounted handscroll; ink on paper
18th-19th centuryJapaneseThread-bound, manuscript volume; ink on paper
19th-20th centuryKoreanInk on paper
16th and 19th centuryPersianTwo-sided horizontal accordion-fold manuscript; ink and color on paper
19th centuryThaiLacquer with opaque watercolor
19th centuryPersianTwo-sided horizontal accordion-fold album; ink and color on paper
19th centuryThaiOpaque watercolor and gold on paper
19th centuryIndian