1696, 1862
This copy of Zad al-Ma'ad by 'Allamah Majlesi opens with an illuminated frontispiece with a large illuminated sarlawh at the beginning of the text. It is copied in naskh script in 22 lines to a page in black ink. A large section of the text is translated into Persian after each line in nastaliq script in red ink. The last 17 folios are in Persian. The colophon includes the completion date of the book by the author, Ramadan 1107 H (April 1696) in Isfahan. The scribe signs his name Muhammad Hashim al-Lu'lu'i al-Isfahani, copied in 1130 H (1717). The lacquer binding, which belongs to a later phase, is decorated with a bird perching on a rose branch. It is signed by the artist Lutf 'Ali Shirazi and dated 1279 (1862). The signature of `Abd al-Vahhab, Chief Illuminator, and the date1300 H (1882) is written minutely in the lower border. The inside covers are plain reddish-brown with gilded borders.
20.3 × 13.2 × 3.7 cm (8 × 5 3/16 × 1 7/16 in.) Text area: 15.4 × 8.7 cm (6 1/16 × 3 7/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink and gold on paper
14th centuryArabDouble-sided, detached leaf from an incomplete manuscript; ink, color, and gold on black paper
18th centuryNepaleseInk, opaque watercolor and gold on parchment
9th centuryArabInk, opaque watercolor, gold and graphite on paper
19th centuryIndianTwo-sided horizontal accordion-fold manuscript; ink, color, and gold on paper
17th-18th centuryThaiDouble-sided, detached leaf from an incomplete manuscript; ink on palm leaf
12th centuryNepaleseInk, opaque watercolor and gold on paper
16th centuryPersianFive handscrolls; sumi on bordered paper with gold
17th centuryJapaneseTwo-sided, horizontal, accordion-fold manuscript; ink and color on paper; with lacquered covers
19th centuryThaiInk on parchment
10th centuryArabInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
18th-19th centuryOttoman