1696, 1862
This copy of Zad al-Ma'ad by 'Allamah Majlesi opens with an illuminated frontispiece with a large illuminated sarlawh at the beginning of the text. It is copied in naskh script in 22 lines to a page in black ink. A large section of the text is translated into Persian after each line in nastaliq script in red ink. The last 17 folios are in Persian. The colophon includes the completion date of the book by the author, Ramadan 1107 H (April 1696) in Isfahan. The scribe signs his name Muhammad Hashim al-Lu'lu'i al-Isfahani, copied in 1130 H (1717). The lacquer binding, which belongs to a later phase, is decorated with a bird perching on a rose branch. It is signed by the artist Lutf 'Ali Shirazi and dated 1279 (1862). The signature of `Abd al-Vahhab, Chief Illuminator, and the date1300 H (1882) is written minutely in the lower border. The inside covers are plain reddish-brown with gilded borders.
20.3 × 13.2 × 3.7 cm (8 × 5 3/16 × 1 7/16 in.) Text area: 15.4 × 8.7 cm (6 1/16 × 3 7/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
13th centuryEgyptianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th-17th centuryOttomanInk, colors, and gold on paper
15th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianFolding book mounted [during the Muromachi period] as a handscroll; ink on ōbaku
12th centuryJapaneseThe forty-ninth of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseInk, opaque watercolor and gold on paper
17th-18th centuryPersianText; ink on paper; leather binding
17th centuryOttomanInk, opaque watercolor and gold on paper
17th centuryPersian