1845
The small manuscript of 72 folios opens with an illuminated European-style sarlawh featuring flowers and acanthus leaves. The text is written in Ottoman ta‘liq script. The preface in Ottoman Turkish is arranged in 17 lines to a page, and the verses 12 lines in two columns. Colored papers are used throughout the text. All the folios are decorated with horizontal bars in gold and blue/green separating the quatrains. The manuscript is copied by Sayyid 'Abdi in 1261/1845. The green leather binding is gilded, and the doublure (inside cove is covered with blue paper with embossed patterns.
20 x 14 cm (7 7/8 x 5 1/2 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor on paper
19th centuryIndianInk, opaque watercolor and gold on paper
19th centuryOttomanPainting with text; ink, opaque watercolor and gold, with lacquer binding
19th centuryPersianTwo-sided accordion-fold manuscript; ink and color on paper
19th centuryThaiInk, opaque watercolor and gold on paper
18th-19th centuryOttomanOpaque watercolor on paper
19th centuryIndianOne of six leaves from an illustrated palm-leaf manuscript; ink on palm leaf
19th centuryIndonesianInk, opaque watercolor and gold on paper; Pahari Style, Kangra School
19th centuryIndianInk, opaque watercolor and gold on paper
19th centuryIndianOpaque watercolor on paper
18th-19th centuryIndianInk, opaque watercolor and gold on paper
18th-19th centuryOttomanInk and opaque watercolor on paper
18th and 19th centuriesPersian