1836
The manuscript contains 18 folios (including two flyleaves) and opens with an illuminated sarlawh. The text is copied in large naskh, 12 lines to a page. All text folios are decorated with gold floral motifs in the margins and interlinear gilding. The name of God is written in gold throughout the text. The manuscript was penned by Ahmad Shamlu in 1252/1836 according to the colophon. Ahmad b. Muhammad Husayn Shamlu Mashhadi (d. 1267/1848, Mashhad) was a prolific scribe, who was also the calligraphy tutor of Fath Ali Shah’s son. The binding is made of light brown wood with a leather spine. The covers are intricately carved with flowers, two birds and a butterfly. The inside covers are plain wood painted in golden shades.
19 x 12 cm (7 1/2 x 4 3/4 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Watercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, colors, and gold on paper; leather binding with gilded tooling
19th centuryPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, colors, and gold on paper
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper, lacquer binding
17th and 19th centuriesPersianInk, colors, and gold on paper
19th centuryPersianWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianLacquer with opaque watercolor
19th centuryPersianPainting with text; ink, opaque watercolor and gold on paper
19th-20th centuryPersian