18th century
The album consists of six drawings depicting composite animals and winged figures, and each drawing bears a caption in Persian. Each drawing is remounted within two borders decorated with flowers on three sides. The style of the drawings and the decoration in the frames are consistent with Kashmiri manuscripts of the 18th century. The album has a red leather binding. Composite animals have a long history in the visual tradition of India and might have originated from Central Asia and Iran. In India, they typically appear as camels and horses, and most frequently as elephants, with their bodies inhibited by other animals. With some described as “magical” in the captions, the beasts in this album take on even more unusual, hybrid forms and some have multiple heads. But beyond the inscribed titles, little is known about these magical creatures and their meaning remains enigmatic.
27 x 18 cm (10 5/8 x 7 1/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Calligraphy; ink, opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk, color, and gold on paper
18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk, color, and gold on paper
18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper
18th-19th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor on paper
18th centuryIndianBlack line, opaque watercolor, gold and metallic gray watercolor on paper
18th centuryIndian