1520, c. 1600, 18th-19th century
The text is a copy of the Perisan poet Hatifi's Zafarnama ("Book of Victory", also known as the Timurnama, "Book of Timur"); the beginning of the text is missing. It is copied in nasta’liq script in black ink, in two columns and 15 lines to a page. According to the colophon on the last text page it was completed by the Persian scribe Mahmud ibn Ishaq Siyavushani in 927 H (1520-21). Also known as Mahmud Shihabi Haravi, he was a pupil of Mir Ali Haravi, the well-known calligraphy master. Other seals and notes have been erased from the colophon page. The date1026 H (1617-18) is written in a different hand at the bottom of two obliquely written columns towards the end.These folios on white paper have been remounted on pinkish margins with gilded decorations. There are also ten paintings in Mughal style which appear to have been painted in two groups. Five of them are text-panel size, and five of them largely expand to the margins. The lacquer binding is datable stylistically to the 18th-19th century and has an arabesque decoration on greenish gold ground on the outside and a rose branch on dark green on the inside.
26.1 × 15.9 × 2.7 cm (10 1/4 × 6 1/4 × 1 1/16 in.) Folio: 25 × 15.5 cm (9 13/16 × 6 1/8 in.) Text area: 18 × 8.5 cm (7 1/16 × 3 3/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink on paper
IslamicInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianIllustration: opaque watercolor and gold on cotton fabric. Text: ink and gold on paper. Both sides framed with a paper border with opaque watercolor ruling
16th centuryMughalInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianTwo-sided horizontal accordion-fold album; ink and color on paper
19th centuryThaiTwo-sided horizontal accordion-fold manuscript; ink, color and gold on paper; with lacquered covers
18th-19th centuryThaiInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryIndianInk, opaque watercolor and gold on paper
18th-19th centuryOttomanInk, colors, and gold on paper; wooden binding
19th centuryPersian