c. 1834-1848
Cover and sliding compartment with rounded ends.The top is decorated in horizontal format with a continuous scene of Muhammad Shah Qajar (r. 1834-48) leaning against a cushion, attended by his officials, including on the right Haji Mirza Aqasi (chief minister 1835-1848). Continuous landscape scenes with small scale figures decorate the sides as well: a beardless prince in a horse-drawn carriage accompanied by his retinue on the front side; and soldiers with field artillery on the back side. On the base a flowering grape vine is painted in gold on a red background.
3.5 × 4 × 24.3 cm (1 3/8 × 1 9/16 × 9 9/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Shemshad wood
19th centuryPersianUncut woodblock
19th centuryFrenchInk and color on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseInk and color on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century