c. 1850-1900
Cover and sliding compartment with rounded ends. The top is decorated in a horizontal format. The top and sides are covered with birds and floating bouquets on a black background. The base is red with a band of gold.
3.6 × 3.6 × 21.1 cm (1 7/16 × 1 7/16 × 8 5/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOne of a pair of chūban (medium-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChinesePale greenish-white nephrite; brush head made of fur
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century