1853-1854
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with vignettes of semi-nude European women in landscape, interspersed with two circular medallions with portrait busts of European women. The sides are similarly composed with figural vignettes interspersed with oval medallions with portrait busts of young men and women. The base is painted with grape vines, birds, and animals in gold on a black background.
4 × 4.3 × 24.3 cm (1 9/16 × 1 11/16 × 9 9/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Wood
19th-20th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, copper ribbons, and lacquer over brass layer on pasteboard
19th centuryPersianInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "hikibori" (pull-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique, with "ito-ire" (silk-web) reinforcement; with ink
19th-20th centuryJapaneseLithographic crayon on limestone lithographic stone
19th centuryAustrian