1856-1857
Cover and sliding compartment with rounded ends. The top is decorated in vertical format with a young girl in European dress and an apron full of flowers. A smaller female with an apron full of flowers arranges flowers in her hair at the bottom. A spotted dog sits at her feet. The figures are surrounded by flowers and bird-filled trees against a light brown ground. The sides are virtually identical, with an architectural vignette enclosed by trees and flowers in the center; on either side of the vignette, a floral spray extends to the ends. The base and sliding compartment are decorated with trees, shrubs, and buildings painted in gold on a red background.
3 × 3.3 × 21.6 cm (1 3/16 × 1 5/16 × 8 1/2 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseLithographic crayon on limestone lithographic stone
19th centuryAustrianShemshad wood
19th centuryPersianDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOne of a pair of chūban (medium-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique; with blue pigment
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryOpaque watercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th century