16th-17th century
The central panel of this album folio consists of four lines of Arabic poetry written in nasta`liq script on light brown paper. The calligraphy is surrounded by floral illumination on a gold ground. Two decorative borders frame the central panel. The text references the Shura, a consultative body of prominent members of the Qurayshi tribe who in the year 644 were tasked to name the third leader of the Muslim community, following the death of the caliph Umar. .
framed: 39 x 33 cm (15 3/8 x 13 in.)
Richard Bryant Hobart, Cambridge, MA, (by 1963), by inheritance; to his daughter, Mabel Hobart Cabot, Cambridge, MA , (1963-2014), gift; to the Harvard Art Museums, June 2014. Richard Bryant Hobart (b. 1885 – d. 1963),
Opaque watercolor on paper
19th centuryIndianOpaque watercolor on paper
19th centuryIndianGraphite on beige wove paper; pricked and verso rubbed with red chalk (recto); Black counterproof and traces of rubbed red chalk on blue wove paper (verso)
19th centuryPersianOpaque watercolor and gold on paper
16th centuryPersianInk with opaque watercolor and gold on paper
17th-18th centuryIndianBlack ink on off-white modern laid paper; pricked (verso)
18th-19th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersianWatercolor on paper
19th centuryIndianInk, opaque watercolor and gold on paper
18th centuryPersianOpaque watercolor and gold on paper
16th centuryMughalOpaque watercolor, gold, and silver on paper; Pahari Style, Kangra School.
18th centuryIndianOpaque watercolor on paper
18th centuryIndian