Tools Services Portfolio About Contact

Tools Services Portfolio About Contact

Made with by Lê Trực 0983470827 © 2025 KenAI.vn

Four Bostanjis (Gardeners) in a Landscape | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Four Bostanjis (Gardeners) in a Landscape

Four Bostanjis (Gardeners) in a Landscape

ManuscriptsOttoman17th century

Four Bostanjis (Gardeners) in a Landscape

c. 1640-1650

Classification

Manuscripts

Medium

Opaque watercolor and gold on paper

Culture

Ottoman

Period

Ottoman period

Century

17th century

Division

Asian and Mediterranean Art

Department

Department of Islamic & Later Indian Art

Dimensions

sight: 21.3 × 18.3 cm (8 3/8 × 7 3/16 in.) frame: 48.3 × 38.1 × 1.9 cm (19 × 15 × 3/4 in.)

Provenance

Jean Pozzi, Paris (before 1967), his sale; [Vente Pozzi, Palais Galliera, Paris]. [Joseph Soustiel, Paris, 7 December 1970], sold; to Edwin Binney, 3rd, bequest; to Harvard University Art Museums, 1985. Footnote: Edwin Binney, "Turkish Treasures From the Collection of Edwin Binney, 3rd", Portland Museum of Art, Portland Oregon, 1979, p.94. Jean Pozzi (1884-1967), the French Ambassador to Constantinople in the 1930s.

Related Artworks

Painting, verso; Text, recto of folio 18, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, verso; Text, recto of folio 18, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Unknown Artist, 1680

Ink, opaque watercolor and gold on paper

17th centuryOttoman

Ibrahim Preparing to Sacrifice Isaac (painting, verso; text, recto), folio 43 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ibrahim Preparing to Sacrifice Isaac (painting, verso; text, recto), folio 43 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Unknown Artist, 17th century

Ink, opaque watercolor and gold on paper

17th centuryOttoman

Text (recto), Mount Nur (painting with text, verso), folio 25 from a Manuscript of a Majmu`a of Persian Texts

Text (recto), Mount Nur (painting with text, verso), folio 25 from a Manuscript of a Majmu`a of Persian Texts

Unknown Artist, 16th-17th century

Ink, opaque watercolor and gold on paper

16th-17th centuryOttoman

Ibrahim in a Fire (painting, recto; text, verso), folio 35 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ibrahim in a Fire (painting, recto; text, verso), folio 35 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Unknown Artist, Early 17th century

Ink, opaque watercolor and gold on paper

17th centuryOttoman

Angel Sounding the Trumpet on the Day of the Last Judgement (painting, recto; text, verso), illustrated folio from a manuscript of a Turkish text

Angel Sounding the Trumpet on the Day of the Last Judgement (painting, recto; text, verso), illustrated folio from a manuscript of a Turkish text

Unknown Artist, 17th century

Ink, opaque watercolor and gold on paper

16th-17th centuryOttoman

Painting, recto; Text, verso of folio 15, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text, verso of folio 15, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Unknown Artist, 1680

Ink, opaque watercolor and gold on paper

17th centuryOttoman

A Prophet on a Prayer Rug (painting, recto; text, verso), folio 104 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

A Prophet on a Prayer Rug (painting, recto; text, verso), folio 104 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Unknown Artist, 17th century

Opaque watercolor on paper

17th centuryOttoman

Nuh (Noah) in the Ark (painting, recto; text, verso), folio 24 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Nuh (Noah) in the Ark (painting, recto; text, verso), folio 24 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Unknown Artist, 17th century

Ink, opaque watercolor and gold on paper

17th centuryOttoman

Painting, recto; Text, verso of folio 16, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text, verso of folio 16, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Unknown Artist, 1680

Ink, opaque watercolor and gold on paper

17th centuryOttoman

Painting (verso), folio 28 from a Manuscript of a Majmu`a of Persian Texts

Painting (verso), folio 28 from a Manuscript of a Majmu`a of Persian Texts

Unknown Artist, 16th-17th century

Ink, opaque watercolor and gold on paper

16th-17th centuryOttoman

Husayn Addressing the Umayyad Army at Karbala (painting , recto; text, verso), illustrated folio from a manuscript of Hadikatu'l-Su'ada (Garden of the Blessed by Mehmed ibn Suleyman Fuzuli

Husayn Addressing the Umayyad Army at Karbala (painting , recto; text, verso), illustrated folio from a manuscript of Hadikatu'l-Su'ada (Garden of the Blessed by Mehmed ibn Suleyman Fuzuli

Unknown Artist, c. 1600

Opaque watercolor and gold on paper

16th-17th centuryOttoman

Painting, recto; Text, verso of folio 36, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, recto; Text, verso of folio 36, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Unknown Artist, 1680

Ink, opaque watercolor and gold on paper

17th centuryOttoman