after 1919
16 x 20.1 cm (6 5/16 x 7 15/16 in.)
Lovis Corinth, by descent; to Charlotte Berend Corinth, (1925-1967), by descent; to Thomas Corinth, (1967-1988), by descent; to Wilhelmine Corinth, (1988-2001), by descent; to George E. Hecker, Wayland, MA (2001-2012), gift; to Harvard Art Museums, 2012. NOTES: 1. The work belonged to the Corinth family and was always transferred upon the death of the previous owner: in 1925 Lovis Corinth bequeathed the work to his wife Charlotte Berend Corinth, who upon her death passed it on to her son Thomas Corinth who in turn passed it to his sister Wilhelmine Corinth. Wilhelmine Corinth was George Hecker’s mother.
Koban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within double bowstring lines at the end of the handle
16th-17th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "hikibori" (pull-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseMonochrome glazed ware, "mirror black" type: porcelain with black glaze and with traces of decoration in overglaze gold enamel
ChineseWooden-handled metal cutting tool
JapaneseWooden-handled metal cutting tool with metal-wrapped tip
JapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques; with ink
19th-20th centuryJapanese