6th century
The lower, bowl portion of this tall cup rises from a flat base; its walls expand rapidly and then turn inward, so that the cup's lower portion resembles a circular bowl with inverted lip. The cup's tall, upper portion springs from the bowl's inverted lip, its walls rising rapidly and at very steep angle. The thick, appliqué handle springs from the widest portion of the bowl, rises at a steep angle, then curves downward to meet the cup's side wall about an inch below the plain, unarticulated lip. A single, incised bowstring line enlivens the widest point of the cup's lower, bowl-like portion; two pairs of relief bowstring lines embellish the cup's otherwise plain upper portion, the lower pair appearing about one inch above the top of the bowl, the upper pair appearing about one inch below the lip. The only other decoration is a small, tube-like section of clay placed at the junction where the handle joins the cup just below the lip; this small piece of clay perhaps serves the added function of strengthening the join of the handle to the cup. This cup is unglazed; made of light gray stoneware, the exterior surfaces appear charcoal gray in localized areas, due to carbon saturation during firing; even so, most of the exterior and interior surfaces reveal the stoneware's basic light gray hue. Dirt and other burial adhesions appear in a few localized areas, particularly at the junction of handle and cup-at both lower and upper joins of handle to cup.
H. 17.5 x Diam. 18 cm (6 7/8 x 7 1/16 in.)
[through ?, Korea, mid 1960s]; to Jerry Lee Musslewhite (mid 1960s-2009); to Estate of Jerry Lee Musslewhite (2009-2010), sold; to Harvard Art Museums, 2010. NOTE: Jerry Lee Musslewhite was an employee of the U.S. Department of Defense who worked in the Republic of Korea from 1965 to 1969.
Silver
18th centuryFrenchSalt-glazed stoneware
20th centuryBritish, WelshKohiki type: light gray stoneware with pale celadon glaze over brush-applied white slip, the slip carefully applied to form hard-edged geometric patterns, with artist’s mark impressed on the base
21st centuryJapaneseGlass, enamel, nickel silver, and plastic
20th centuryGermanTerracotta, black to brown buff-ware
3rd millennium BCEAnatolianBronze
IranianEnameled blue-and-white ware: porcelain with decoration painted in overglaze yellow, green, and black enamels on the upper portion and the lower portion with an underglaze cobalt powder blue ground; with underglaze cobalt-blue double circle on base
17th-18th centuryChineseEnameled ware: porcelain with incised decoration and with an even coating of overglaze yellow enamel; with underglaze cobalt-blue mark reading "Da Qing Yongzheng nian zhi" within a double circle on the base
18th centuryChineseSilver
20th centuryAmericanPale green glass
1st-2nd century CERomanTerracotta
Lydian