19th century
This prayer mat is an example of whitework, a subtle form of needlework in which white embroidery thread is used to create a design on a white fabric ground. Here the design is based on a central field with multiple borders, both of which are dominated by inscriptions in Arabic. The central field is organized as a pointed arch (echoing the shape of a mihrab), enclosing floral and geometric motifs and inscription panels. The widest border holds inscription panels alternating with flower-filled triangles. The narrower borders are decorated with geometric designs within lozenges and reciprocal patterns. The Arabic inscriptions consist of pious expressions, e.g., the basmala, prayers for the Prophet Muhammad, and entreaties to God, as well as verses from the Qur’an. The Qur’anic verses include Suras 2:255; 2:257; and 97:1-4.
58.7 x 92.5 cm (23 1/8 x 36 7/16 in.)
Mark and Ruth Irwin, Wooster, Ohio (by 1965 - 1998), by descent; to Beth Irwin Lewis, Oberlin, Ohio (1998 - 2015), gift; to the Harvard Art Museums, 2015.
Textile fibers
19th centuryPersianCotton warp, wool weft and pile
18th-19th centuryPersianSilk
18th-19th centuryChineseBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapaneseWool pile
19th centuryPersianBlue silk gauze ground with needlepoint decoration
19th centuryChineseWool
19th centuryYellow silk twill ground with embroidered decoration
19th centuryChineseCompound-weave silk with patterning in supplementary wefts; selected motifs embroidered with gold and polychrome silk threads
19th centuryJapaneseSilk
19th centuryJapanese