19th century
The subject of this working sketch--a nayika being bathed by an attendant--was a popular subject in Northern India. In addition to the two central figures, another faintly drawn figure stands near the left margin. The edges of all three figures are outlined with pinpricks, indicating that they were reproduced by pouncing. The setting for the figures is suggested by the outline of a building at left and a tree tops peeking over a garden wall.
[H.C. Mehra], Calcutta (November 16, 1953); purchase by L.C. and P. Wyman, American couple; gift to Art Complex Museum, 189 Alden Street, Duxbury (1960s); purchase by Kathy Burton Jones [Norman Hurst], Hurst Gallery, 53 Mount Auburn Street, Cambridge (2004); gift to Harvard Art Museum (2009).
Ink and opaque watercolor on paper; Rajput Style, Kota School
19th centuryIndianOpaque watercolor on paper; Rajput Style, Kota School.
18th centuryIndianInk and opaque watercolor on paper
19th centuryIndianBlack ink with traces of charcoal on Asian paper
20th centuryIndianGraphite on paper.
19th centuryIndianInk on paper; Rajput Style, Kota or Bundi School
18th-19th centuryIndianInk and opaque watercolor on paper
19th centuryIndianInk and colors
19th centuryIndianMixed media on paper
20th centuryIndianBrush, black ink, gold, and opaque water- color on paper; Rajput Style, Bikaner School
17th centuryIndianInk, opaque watercolor, and watercolor on paper; Pahari Style, Kangra School
18th centuryIndianBlack and brown inks on beige laid paper; Rajput Style
18th centuryIndian