19th century
The subject of this working sketch--a nayika being bathed by an attendant--was a popular subject in Northern India. In addition to the two central figures, another faintly drawn figure stands near the left margin. The edges of all three figures are outlined with pinpricks, indicating that they were reproduced by pouncing. The setting for the figures is suggested by the outline of a building at left and a tree tops peeking over a garden wall.
[H.C. Mehra], Calcutta (November 16, 1953); purchase by L.C. and P. Wyman, American couple; gift to Art Complex Museum, 189 Alden Street, Duxbury (1960s); purchase by Kathy Burton Jones [Norman Hurst], Hurst Gallery, 53 Mount Auburn Street, Cambridge (2004); gift to Harvard Art Museum (2009).
Ink and opaque white watercolor on paper
18th centuryIndianBlack ink and opaque watercolor on beige laid paper; figures partially pricked
16th centuryIndianInk and opaque watercolor on paper; Rajput Style, Kota School
18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianBlack ink with traces of charcoal on Asian paper
20th centuryIndianInk and opaque watercolor on paper; Rajput Style, Kota School
18th centuryIndianInk and opaque watercolor on paper; Rajput Style
18th centuryIndianInk and opaque watercolor on paper; Rajput Style
19th centuryIndianInk on paper; Rajput Style, Kota School
18th centuryIndianInk on paper; Rajput Style
18th centuryIndianInk, opaque watercolor, and watercolor on paper
18th centuryIndianInk on paper; Rajput Style, Kota School
18th centuryIndian