1973
What appears to be one dramatic gesture is really the result of a complex series of applications of splashed color and brushed ink. The circular format, always a challenge to compose, finds antecedents in the round painted fans of traditional China; the format here provides the perfect “non-window” for the artist’s nonrepresentational painting. Feng Zhongrui joined the Fifth Moon Group—an association of Taiwan artists concerned with the modernization of Chinese art—in 1961. Five years later his works were exhibited in the U.S. His spontaneous applications of layers of color and ink attracted great interest in this country, and in 1975 Feng relocated to the San Francisco area.
painting proper: 52 cm (20 1/2 in.) full mounting: 89 x 62.5 cm (35 1/16 x 24 5/8 in.)
Feng Zhongrui, Taiwan (1973), probably gift; to Chu-tsing Li, Lawrence, Kansas (1973?-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2014), gift; to Harvard Art Museums, 2014. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
Hanging scroll; ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHanging scroll; ink on paper, with artist’s inscription, signature, and seal
20th centuryChineseHanging scroll; ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHanging scroll; ink on paper
20th centuryChineseHanging scroll; ink and color on fibrous paper, with artist’s inscription, dedication, signature, and seals
20th centuryChineseAlbum leaf; ink and color on paper
19th-20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne panel of a triptych; acrylic on canvas
20th centuryChineseHanging scroll; ink and colors on paper; with inscription, signature, and seal of the artist
20th centuryChineseOne panel of a triptych; acrylic on canvas
20th centuryChinese