probably 1980s
A compelling contrast with Zeng’s Landscape of the same period, this work offers no overt suggestion of receding space. The foil, pigments, and ink present an abstract pattern that, though faintly geometric, avoids any fixed grid. Still, viewers may visualize landscape forms as their eyes fix on the surface textures of this exquisite work. After leaving China to settle in Honolulu, Zeng Youhe developed a distinctive technique she called dsui (pinyin zhui, meaning “patch” or “patchwork”) painting, inspired in part by traditional techniques for mounting Chinese works. Like other artists in Asia as well as Europe and America, she used this collage approach to explore surface effects in abstract compositions. Regarding her renderings of colors and textures, she cited as a source the irregular coloration of ancient jades, and guan ware, a ceramic with a crackled pale-bluish-gray glaze.
painting proper: 28.5 x 25 cm (11 1/4 x 9 13/16 in.) Framed: 51.12 x 44.77 x 2.54 cm (20 1/8 x 17 5/8 x 1 in.)
Zeng Youhe, Honolulu, probably 1980s, gift; to Chu-tsing Li, Lawrence, Kansas (1964-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2015), gift; to Harvard Art Museums, 2015. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)

Accordion-fold album of eight center-folded leaves, seven of them painted; ink on paper, with artist’s dedication, signature, and seal
20th centuryChineseAlbum leaf; ink and color on paper
19th-20th centuryChinese
Hanging scroll; ink on paper; with signature of the artist reading "Yu Chengyao"; with two seals of the artist
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseAlbum leaf; ink and colors on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinese
Album leaf now framed and mounted; acrylic colors on paper; with romanized date and signature of the artist written twice, each reading "Luis Chan 1987"
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHorizontal wall scroll (framed); ink and color on paper, with artist’s signature and seal
20th centuryChineseHanging scroll; ink and color on paper
20th centuryChinese