probably 1980s
A compelling contrast with Zeng’s Landscape of the same period, this work offers no overt suggestion of receding space. The foil, pigments, and ink present an abstract pattern that, though faintly geometric, avoids any fixed grid. Still, viewers may visualize landscape forms as their eyes fix on the surface textures of this exquisite work. After leaving China to settle in Honolulu, Zeng Youhe developed a distinctive technique she called dsui (pinyin zhui, meaning “patch” or “patchwork”) painting, inspired in part by traditional techniques for mounting Chinese works. Like other artists in Asia as well as Europe and America, she used this collage approach to explore surface effects in abstract compositions. Regarding her renderings of colors and textures, she cited as a source the irregular coloration of ancient jades, and guan ware, a ceramic with a crackled pale-bluish-gray glaze.
painting proper: 28.5 x 25 cm (11 1/4 x 9 13/16 in.) Framed: 51.12 x 44.77 x 2.54 cm (20 1/8 x 17 5/8 x 1 in.)
Zeng Youhe, Honolulu, probably 1980s, gift; to Chu-tsing Li, Lawrence, Kansas (1964-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2015), gift; to Harvard Art Museums, 2015. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
Vertical wall scroll; ink on fibrous paper, with artist’s seal, and inscription, signature, and seals of Rao Zongyi
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHanging scroll; ink and colors on paper; with inscription and signature of the artist, the signature reading "He Huaishuo"; with four seals of the artist
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"
20th centuryChineseHanging scroll; ink and light colors on paper; with signature of the artist reading "Xiong Hai"; with square, red, intaglio seal of the artist following the signature
20th centuryChineseFramed horizontal wall scroll; ink on paper; with two seals of the artist, the upper one reading "Liu Dan Yin", the lower one reading "Hu Ran Ke"
20th centuryChineseAlbum leaf; ink and color on paper
19th-20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinese