probably 1980s
Three rocky land masses rise from the water, with a hint of mist surrounding the distant peak. An air of isolation, perhaps desolation, emerges from trees rendered with deliberate naïveté. The simple depictions of buildings convey honesty and integrity. The artist concludes her inscription with “Chu-tsing, my venerable brother, asked me to imitate the old style.” The first part of the inscription, however, expresses the dilemma of combining tradition with experimentation: “Some think bringing forth new ideas is good; others think relying on the past is good. I sing a new melody, but use the old tone. Am I neither here nor there?” Trained in Beijing by artists of the former Manchu court, Zeng mastered the classical tradition in both technique and spirit. After moving to Honolulu in 1949, she began to experiment with Western abstract painting and developed a distinctive modern style. This work, as the inscription indicates, is an attempt to capture the spirit of a traditional ink painting.
painting proper: 56 x 43.4 cm (22 1/16 x 17 1/16 in.) full mounting: 118.3 x 52.9 cm (46 9/16 x 20 13/16 in.)
Zeng Youhe, Honolulu, probably 1980s, gift; to Chu-tsing Li, Lawrence, Kansas (1964-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2015), gift; to Harvard Art Museums, 2015. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
Hanging scroll; ink and colors on paper; with signature of the artist reading "Chen Qikuan zuo"; with square, red, relief seal of the artist reading "Chen Qi Kuan Yin"
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseVertical wall scroll; ink on fibrous paper, with artist’s seal, and inscription, signature, and seals of Rao Zongyi
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHanging scroll; ink and slight color on paper; with inscription, signature, and two seals of the artist; with one additional seal, probably that of a collector
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseAccordion-fold album; ink on paper; with signature and seals of the artist reading "Yifu"
20th centuryChineseHorizontal wall scroll; ink and color on fibrous paper; with artist's signature and seal
20th centuryChinese