probably 1980s
Three rocky land masses rise from the water, with a hint of mist surrounding the distant peak. An air of isolation, perhaps desolation, emerges from trees rendered with deliberate naïveté. The simple depictions of buildings convey honesty and integrity. The artist concludes her inscription with “Chu-tsing, my venerable brother, asked me to imitate the old style.” The first part of the inscription, however, expresses the dilemma of combining tradition with experimentation: “Some think bringing forth new ideas is good; others think relying on the past is good. I sing a new melody, but use the old tone. Am I neither here nor there?” Trained in Beijing by artists of the former Manchu court, Zeng mastered the classical tradition in both technique and spirit. After moving to Honolulu in 1949, she began to experiment with Western abstract painting and developed a distinctive modern style. This work, as the inscription indicates, is an attempt to capture the spirit of a traditional ink painting.
painting proper: 56 x 43.4 cm (22 1/16 x 17 1/16 in.) full mounting: 118.3 x 52.9 cm (46 9/16 x 20 13/16 in.)
Zeng Youhe, Honolulu, probably 1980s, gift; to Chu-tsing Li, Lawrence, Kansas (1964-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2015), gift; to Harvard Art Museums, 2015. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
One of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHanging scroll; ink and color on paper
20th centuryChineseHanging scroll; ink on paper; with artist's square red intaglio seal reading "Liu Dan Zhi Yin"
20th centuryChineseHanging scroll; ink on paper
20th centuryChineseVertical wall scroll; ink on fibrous paper, with artist’s seal, and inscription, signature, and seals of Rao Zongyi
20th centuryChineseHanging scroll; ink and colors on paper; with signature of the artist reading Hung Hsien; and with red, square, intaglio seal of the artist reading Hung Hsien
20th centuryChineseInk, color, and collage on paper
20th centuryChineseHandscroll; ink on silk
17th-20th centuryChineseVertical wall scroll; ink and color on paper; with artist's dated signature
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinesesimulated wall-painting fragment: pigments on specially prepared cardboard
20th centuryChinese