probably 1980s
Three rocky land masses rise from the water, with a hint of mist surrounding the distant peak. An air of isolation, perhaps desolation, emerges from trees rendered with deliberate naïveté. The simple depictions of buildings convey honesty and integrity. The artist concludes her inscription with “Chu-tsing, my venerable brother, asked me to imitate the old style.” The first part of the inscription, however, expresses the dilemma of combining tradition with experimentation: “Some think bringing forth new ideas is good; others think relying on the past is good. I sing a new melody, but use the old tone. Am I neither here nor there?” Trained in Beijing by artists of the former Manchu court, Zeng mastered the classical tradition in both technique and spirit. After moving to Honolulu in 1949, she began to experiment with Western abstract painting and developed a distinctive modern style. This work, as the inscription indicates, is an attempt to capture the spirit of a traditional ink painting.
painting proper: 56 x 43.4 cm (22 1/16 x 17 1/16 in.) full mounting: 118.3 x 52.9 cm (46 9/16 x 20 13/16 in.)
Zeng Youhe, Honolulu, probably 1980s, gift; to Chu-tsing Li, Lawrence, Kansas (1964-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2015), gift; to Harvard Art Museums, 2015. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
One of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseWall scroll; ink on paper; with date and signature of the artist reading "Bingzi wuyue Zhang Hong hua" and two seals of the artist reading "Yin Shan" and "Zhang Hong Zhi Xi"
20th centuryChineseHanging scroll; ink and colors on cotton paper; with signature of the artist reading "Liu Guosong"; with artist's square red intaglio seal reading "Liu Guo Song"
20th centuryChineseHanging scroll; ink and colors on paper; with inscription and signature of the artist, the signature reading "He Huaishuo"; with four seals of the artist
20th centuryChineseOne from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"
20th centuryChineseInk and color on paper
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseAlbum leaf now framed and mounted; acrylic colors on paper; with romanized date and signature of the artist written twice, each reading "Luis Chan 1987"
20th centuryChineseHanging scroll; ink and colors on paper with collage technique in localized areas; with signature of the artist reading "Li Hua"
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseTriptych; acrylic on canvas; with signature of the artist reading "Wang Wuxie"
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinese