probably 1990s
Colored washes evoke the idyllic blue-and-green landscapes of classical Chinese painting with a luminous clarity, yet the hue is untraditional. The varied tones of green give the work a more Western watercolor style, but the brushwork is unmistakably Chinese. An artist without formal training in painting and calligraphy, Xia Yifu developed an individual technique that could capture the monumentality of traditional landscapes. Chu-tsing Li said of Xia’s work: “We can see a reflection of the artist’s own inner nature, as well as the embodiment of the intricacies of nature, the desire for transcendence and release from mortal life, and a realm in which everything, including one’s self, is forgotten.”
painting proper: 80 x 64 cm (31 1/2 x 25 3/16 in.) Framed: 102.87 x 85.09 x 5.08 cm (40 1/2 x 33 1/2 x 2 in.)
Xia Yifu, Taiwan (1990s-by 2004?), gift or sold?; to Chu-tsing Li, Lawrence, Kansas (by 2004?-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2014), gift; to Harvard Art Museums, 2014. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
Ink and color on paper
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20th centuryChineseSet of eight paintings mounted as a hanging scroll; ink and color on paper
20th centuryChineseAlbum leaf; ink and color on paper
19th-20th centuryChineseHanging scroll; ink and color on paper, with artist’s inscription, dedication, signature, and seals
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHanging scroll; ink and colors on paper; with signature of the artist reading "Li Hua"
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHanging scroll; colors on paper; with large red square relief seal reading "Ci Xi Huang Tai Hou Yu Bi Zhi Bao" (Treasure made by the imperial brush of Empress Dowager Cixi)
19th-20th centuryChineseAlbum leaf; ink and light color on paper
19th-20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseWall painting fragment; ink and colors on plaster (or on white gesso ground?)
19th-20th centuryChinese