probably 1990s
Colored washes evoke the idyllic blue-and-green landscapes of classical Chinese painting with a luminous clarity, yet the hue is untraditional. The varied tones of green give the work a more Western watercolor style, but the brushwork is unmistakably Chinese. An artist without formal training in painting and calligraphy, Xia Yifu developed an individual technique that could capture the monumentality of traditional landscapes. Chu-tsing Li said of Xia’s work: “We can see a reflection of the artist’s own inner nature, as well as the embodiment of the intricacies of nature, the desire for transcendence and release from mortal life, and a realm in which everything, including one’s self, is forgotten.”
painting proper: 80 x 64 cm (31 1/2 x 25 3/16 in.) Framed: 102.87 x 85.09 x 5.08 cm (40 1/2 x 33 1/2 x 2 in.)
Xia Yifu, Taiwan (1990s-by 2004?), gift or sold?; to Chu-tsing Li, Lawrence, Kansas (by 2004?-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2014), gift; to Harvard Art Museums, 2014. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
Vertical wall scroll; ink and color on paper; with artist's dated signature
20th centuryChineseAlbum with wooden covers; ink and color on paper
19th-20th centuryChinese
Hanging scroll; ink and light colors on paper; with signature of the artist reading "Xiong Hai"; with square, red, intaglio seal of the artist following the signature
20th centuryChinese
Hanging scroll; ink and slight color on paper; with inscription, signature, and two seals of the artist; with one additional seal, probably that of a collector
20th centuryChinese
One panel of a triptych; acrylic on canvas
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinese
Hanging scroll; ink and color on paper
20th centuryChineseAlbum leaf; ink and light color on paper
19th-20th centuryChinesesimulated wall-painting fragment: pigments on specially prepared cardboard
20th centuryChineseAlbum leaf; ink and color on paper
19th-20th centuryChineseVertical wall scroll; ink on fibrous paper, with artist’s seal, and inscription, signature, and seals of Rao Zongyi
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinese