1570
actual: 4.7 x 9.3 cm (1 7/8 x 3 11/16 in.)
Jacob Theodor Cremer, New York; [Sotheby's Mak van Waay, Amsterdam, 17 November 1980, lot 31]. [C. G. Boerner, Dusseldorf]. [Vermeer Associates Limited, Brampton, Ontario], long-term loan; to Fogg Art Museum, 1981, sold; to Harvard University Art Museums, 2003.
Brown ink on light tan antique laid paper; verso: two tones of brown ink
16th centuryNetherlandishBrown ink, brown wash, white opaque watercolor, and black chalk or graphite on cream antique laid paper, toned with brown wash, with a framing line in brown ink, laid down on wove paper
16th centuryNetherlandishBrown ink, brown wash and white opaque watercolor over black chalk, incised, on cream antique laid paper
16th centuryNetherlandishBrown ink, brown wash, and touches of black chalk on cream antique laid paper
16th centuryNetherlandishBrown ink, gray wash, and trace of black chalk on cream antique laid paper, framing lines in graphite and black chalk, vertical [ruled?] line in graphite
16th centuryNetherlandishBrown ink and wash on light tan antique laid paper, partial framing lines in graphite
16th centuryNetherlandishBrown ink and blue wash on cream antique laid paper; verso: brown ink, blue wash, and red chalk
16th centuryNetherlandishBrown ink and gray, yellow and rose wash over black chalk, incised, on cream antique laid paper, framing line in brown ink, mounted on an album leaf; verso: outlines of recto are traced through in black chalk, incised
16th centuryNetherlandishBrown ink over black chalk on off-white antique laid paper
16th centuryNetherlandishBrown ink, brown wash, and black chalk on off-white antique laid paper, framing line in brown ink
16th-17th centuryNetherlandishOpaque and transparent watercolor over traces of black chalk and graphite on antique laid paper mounted overall to wood panel, framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandish